Schluter / Nabatov / Antolini - Swing Kings

Schlüter / Nabatov / Antolini - Swing Kings
Жанр: Swing
Страна-производитель диска: Germany
Год издания диска: 2001
Издатель (лейбл): ACT Music
Номер по каталогу: ACT 9298-2 / Categories: Live Albums
Аудио кодек: (MP3 + FLAC) (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: (lossy + lossless)
Продолжительность: 71:51
: собственный рип с оригинального Audio CD
: да / *.jpg (600 dpi)
Треклист:
1. How High The Moon (Morgan Lewis / Nancy Hamilton) (06:16)
2. What Is This Thing Called Love (Cole Porter) (07:13)
3. Moonglow (Will Hudson) (07:00)
4. China Boy (Richard Winfree / Phil Boutelje) (07:31)
5. Just You, Just me (Jesse Greer) (06:06)
6. I'll Never be The Same (Matt Malneck / Frank Signorelli) (07:15)
7. Blues For Mike (Wolfgang Schlüter / Simon Nabatov / Charly Antolini) (06:45)
8. More Than You Know (Vincent Youmas) (09:21)
9. Lady Be Good (George Gershwin) (08:10)
10. Dizzy Spells (Lionel Hampton / Benny Goodman / Teddy Wilson) (06:14)
Доп. информация:
Musicians:
WOLFGANG SCHLÜTER - vibraphone
SIMON NABATOV - piano
CHARLY ANTOLINI - drums
Recorded live at Birdland, Hamburg on September 12, 1996
Engineer: Johannes Carstens
Digital mastering: Hugo Wiesner, Sesam Studio
Release Date Germany: 2001-09-01 © 2001 ACT Music
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Product Info

I have to admit it: I am a fan of Swing. Those concerts in which Armenian goatherders and a Berlin saxophonist throw phrases back and forth to each other, are alien to me. I feel closer to a trio of Hampton, Tatum and Rich. And my friend Wolfgang Schlueter (all of the world´s greatest vibraphonists shine through his playing, even Lionel Hampton) gives me the chance to answer the following Tolstoy-esce question: How much Swing does jazz need? The Swing Kings give the answer:
One day I announced: OK, we’re off to the club Birdland! The NDR is making a recording there! That was September 12, 1996. One of those nights! The trio was nostalgic to their finger tips. No wonder, this longing for lost paradises, when we could still dance and dance to Count Basie in the cool hotels of New York, dock at the bar, fuel up on drinks and Joe Williams urging us into insanity with his Every Day. The night in Birdland passed in a similar way. Sounds of old Masters. Then it all dawned on me: Swing is a wonderful alternative to the heart-rhythm stirrings of certain modernisms. It was as if Benny Goodman looked down from the clouds like a kindly father. And the audience? As on Benny’s European tour of 1950. It was he wrote, happy and with a healthy enthusiasm Instead of flowers: variations on the words of James Joyce from Ulysses. Dear dirty swing.
Michael Naura

Scans / 72 dpi

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