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The Butterfield Blues Band - Collection 1966, 1968

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The Butterfield Blues Band - Collection 1966, 1968
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The Butterfield Blues Band - Collection 1966, 1968

Жанр: Blues, Electric Blues, Blues Rock
Страна: USA
Аудио кодек: (MP3 + FLAC) (*.flac)
Тип рипа: image+.cue
Битрейт аудио: (lossy + lossless)
Продолжительность: 01:30:31
: Sket4er
: да
Треклист:

1966 - East West (Elektra 7559-60751-2 EU 1988) 00:44:55

01. Walkin' Blues (Johnson) 03:15

02. Get Out Of My Life, Woman (Toussaint) 03:13

03. I Got A Mind To Give Up Living (Traditional) 04:57

04. All These Blues (Traditional) 02:18

05. Work Song (Adderley, Brown) 07:53

06. Mary, Mary (Nesmith) 02:48

07. Two Trains Running (Davis) 03:50

08. Never Say No (Traditional) 02:57

09. East-West (Bloomfield, Gravenites) 13:10
Paul Butterfield - vocals, harmonica
Mike Bloomfield - electric guitar
Elvin Bishop - electric guitar, lead vocal on 'Never Say No'
Mark Naftalin - piano, organ
Jerome Arnold - bass
Billy Davenport - drums

Замер динамического диапазона
foobar2000 1.3.9 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2018-10-23 18:09:23

Анализ: The Butterfield Blues Band / East-West

DR Пики RMS Продолжительность трека

DR12 -0.60 дБ -15.96 дБ 3:19 1-Walkin' Blues
DR12 -0.72 дБ -15.75 дБ 3:16 2-Get Out Of My Life, Woman
DR11 -1.86 дБ -15.96 дБ 5:00 3-I Got A Mind To Give Up Living
DR10 -1.44 дБ -14.53 дБ 2:24 4-All These Blues
DR11 -1.21 дБ -15.21 дБ 7:56 5-Work Song
DR10 -0.98 дБ -15.84 дБ 2:53 6-Mary, Mary
DR9 -2.01 дБ -13.99 дБ 3:55 7-Two Trains Running
DR10 -3.64 дБ -18.81 дБ 2:59 8-Never Say No
DR9 -0.64 дБ -13.77 дБ 13:13 9-East-West

Количество треков: 9
Реальные значения DR: DR10
Частота: 44100 Гц
Каналов: 2
Разрядность: 16
Битрейт: 823 кбит/с
Кодек: FLAC

1968 - The Resurrection Of Pigboy Crabshaw (Elektra / Asylum Records 74015-2 USA 1989) 00:45:36

01. One More Heartache (Tarplin, Rogers, White, Robinson, Moore) 03:20

02. Driftin' And Driftin' (Brown, Williams, Moore) 09:09

03. Pity The Fool (D. Malone) 06:00

04. Born Under A Bad Sign (B.T.Jones, W.Bell) 04:10

05. Run Out Of Time (Dinwiddie, Peterson, Butterfield) 02:59

06. Double Trouble (Otis Rush) 05:38

07. Drivin' Wheel (R.Sykes) 05:34

08. Droppin' Out (Butterfield, Zimmerman) 02:16

09. Tollin' Bells (Traditiona) 05:23
Paul Butterfield - vocals, harmonica
Elvin Bishop - guitar
Mark Naftalin - keyboards
Bugsy Maugh - bass, vocal on 'Driving Wheel'
Phil Wilson - drums
Gene Dinwiddie - tenor saxophone
David Sanborn - alto saxophone
Keith Johnson - trumpet

Замер динамического диапазона
foobar2000 1.3.9 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2018-10-23 17:37:20

Анализ: The Butterfield Blues Band / The Resurrection Of Pigboy Crabshaw

DR Пики RMS Продолжительность трека

DR11 -0.75 дБ -14.25 дБ 3:41 1-One More Heartache
DR9 -0.23 дБ -11.83 дБ 9:10 2-Driftin' And Driftin'
DR10 -0.87 дБ -14.61 дБ 6:06 3-Pity The Fool
DR9 -0.47 дБ -11.65 дБ 4:10 4-Born Under A Bad Sign
DR11 -0.12 дБ -14.42 дБ 3:05 5-Run Out Of Time
DR10 0.00 дБ -12.13 дБ 5:42 6-Double Trouble
DR10 -0.93 дБ -13.33 дБ 5:59 7-Drivin' Wheel
DR10 -2.15 дБ -13.72 дБ 2:21 8-Droppin' Out
DR8 -2.09 дБ -11.79 дБ 5:22 9-Tollin' Bells

Количество треков: 9
Реальные значения DR: DR10
Частота: 44100 Гц
Каналов: 2
Разрядность: 16
Битрейт: 860 кбит/с
Кодек: FLAC

Доп. информация
Об исполнителе
Even after his death, Paul Butterfield's music didn't receive the accolades that were so deserved. Outputting styles adopted from Howlin' Wolf and Muddy Waters among other blues greats, Butterfield became one of the first white singers to rekindle blues music through the course of the mid-'60s. His debut album, The Paul Butterfield Blues Band, saw him teaming up with guitarists Elvin Bishop and Mike Bloomfield, with Jerome Arnold on bass, Sam Lay on drums, and Mark Naftalin playing organ. The result was a wonderfully messy and boisterous display of American-styled blues, with intensity and pure passion derived from every bent note. In front of all these instruments is Butterfield's harmonica, beautifully dictating a mood and a genuine feel that is no longer existent, even in today's blues music. Each song captures the essence of Chicago blues in a different way, from the back-alley feel of 'Born in Chicago' to the melting ease of Willie Dixon's 'Mellow Down Easy' to the authentic devotion that emanates from Bishop and Butterfield's 'Our Love Is Drifting.' 'Shake Your Money Maker,' 'Blues With a Feeling,' and 'I Got My Mojo Working' (with Lay on vocals) are all equally moving pieces performed with a raw adoration for blues music. Best of all, the music that pours from this album is unfiltered...blared, clamored, and let loose, like blues music is supposed to be released. A year later, 1966's East West carried on with the same type of brash blues sound partnered with a jazzier feel, giving greater to attention to Bishop's and Bloomfield's instrumental talents.
allmusic/album/the-paul-butterfield-blues-band-mw0000196856
The raw immediacy and tight instrumental attack of the Paul Butterfield Blues Band's self-titled debut album were startling and impressive in 1965, but the following year, the group significantly upped the ante with its second LP, East-West. The debut showed that Butterfield and his bandmates could cut tough, authentic blues (not a given for an integrated band during the era in which fans were still debating if a white boy could play the blues) with the energy of rock & roll, but East-West was a far more ambitious set, with the band showing an effective command of jazz, Indian raga, and garagey proto-psychedelia as well as razor-sharp electric blues. Butterfield was the frontman, and his harp work was fierce and potent, but the core of the band was the dueling guitar work of Mike Bloomfield and Elvin Bishop, especially Bloomfield's ferocious, acrobatic solos, while Mark Naftalin's keyboards added welcome washes of melodic color, and the rhythm section of bassist Jerome Arnold and drummer Billy Davenport were capable of both the rock-solid support of veteran blues players and the more flexible and artful pulse of a jazz combo, rising and relaxing with the dynamics of a performance. The Butterfield Blues Band sounded muscular and exciting on classic blues workouts like 'Walkin' Blues,' 'Two Trains Running,' and 'I Got a Mind to Give Up Living,' but the highlights came when the band pushed into new territory, such as the taut New Orleans proto-funk of 'Get Out of My Life, Woman,' the buzzy and mildly trippy 'Mary, Mary,' and especially two lengthy instrumental workouts, the free-flowing jazz of Nat Adderley's 'Work Song' and the title track, a fiery mix of blues, psychedelia, Indian musical patterns, and several other stops in between, with Butterfield, Bloomfield, and Bishop blowing for all their worth. East-West would prove to be a pivotal album in the new blues-rock movement, and it was the Paul Butterfield Blues Band's greatest achievement; Bloomfield would be gone by the time they cut their next LP to form the Electric Flag, and as good as Bishop was, losing the thrust and parry between the two guitarists was a major blow. But East-West captures a great group in high flight as the bandmembers join together in something even more remarkable than their estimable skills as individuals would suggest, and its importance as a nexus point between rock, blues, jazz, and world music cannot be overestimated.
allmusic/album/east-west-mw0000193694
The 1968 edition of the Paul Butterfield Blues Band featured a larger ensemble with a horn section, allowing for a jazzier feeling while retaining its Chicago blues core. They also adopted the psychedelic flower power stance of the era, as evidenced by a few selections, the rather oblique title, and the stunning pastiche art work on the cover. Butterfield himself was really coming into his own playing harmonica and singing, while his band of keyboardist Mark Naftalin, guitarist Elvin Bishop, drummer Phil Wilson, electric bassist Bugsy Maugh, and the horns featuring young alto saxophonist David Sanborn was as cohesive a unit as you'd find in this time period. Butterfield's most well-known song 'One More Heartache' kicks off the album, a definitive blues-rock rad
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