The Allman Brothers Band - Fillmore West ’71 2019

The Allman Brothers Band / Fillmore West ’71 (4-CD Set)

Жанр: Southern Rock, Blues Rock, Boogie Rock
Носитель: CD
Страна-производитель диска (релиза): USA
Год издания: 2019
Издатель (лейбл): Allman Brothers Band Recording Company
Номер по каталогу: 821229000042
Страна исполнителя (группы): USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Продолжительность: 01:16:57 + 01:05:20 + 01:00:42 + 01:12:07 = 04:35:06
Источник: собственный рип
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DISC ONE: FILLMORE WEST, 29 JANUARY 1971 (01:16:57)

01. Statesboro Blues (Blind Willie McTell) 04:20

02. Trouble No More (McKinley Morganfield, aka Muddy Waters) 04:10

03. Don't Keep Me Wonderin’ (Gregg Allman) 03:27

04. In Memory of Elizabeth Reed (Dickey Betts) 14:28

05. Midnight Rider (Gregg Allman / Robert Kim Payne) 03:14

06. Dreams (Gregg Allman) 11:37

07. You Don’t Love Me (Willie Cobbs)16:49

08. Whipping Post (Gregg Allman) 18:51

Замер динамического диапазона (DR)

foobar2000 1.4.6 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2019-09-06 20:23:53

Анализ: Allman Brothers Band / Fillmore West '71 (CD 1)

DR Пики RMS Продолжительность трека

DR9 -0.29 дБ -11.32 дБ 4:20 01-Statesboro Blues
DR9 -0.30 дБ -11.57 дБ 4:10 02-Trouble No More
DR9 -0.30 дБ -10.89 дБ 3:27 03-Don't Keep Me Wonderin'
DR8 -0.30 дБ -9.22 дБ 14:28 04-In Memory of Elizabeth Reed
DR6 -1.10 дБ -9.11 дБ 3:14 05-Midnight Rider
DR8 -0.29 дБ -10.72 дБ 11:37 06-Dreams
DR8 -0.30 дБ -10.92 дБ 16:49 07-You Don't Love Me
DR7 -0.30 дБ -9.05 дБ 18:51 08-Whipping Post

Количество треков: 8
Реальные значения DR: DR8
Частота: 44100 Гц
Каналов: 2
Разрядность: 16
Битрейт: 890 кбит/с
Кодек: FLAC

DISC TWO: FILLMORE WEST, 30 JANUARY 1971 (01:05:20)

01. Statesboro Blues (Blind Willie McTell) 04:19

02. Trouble No More (McKinley Morganfield, aka Muddy Waters) 03:57

03. Don’t Keep Me Wondering (Gregg Allman) 03:50

04. In Memory of Elizabeth Reed (Dickey Betts) 11:46

05. Stormy Monday (T-Bone Walker) 09:04

06. You Don’t Love Me (Willie Cobbs)16:21

07. Whipping Post (Gregg Allman) 16:02

Замер динамического диапазона (DR)

foobar2000 1.4.6 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2019-09-06 21:35:47

Анализ: The Allman Brothers Band / Fillmore West '71 (CD 2)

DR Пики RMS Продолжительность трека

DR10 -0.30 дБ -11.55 дБ 4:19 01-Statesboro Blues
DR9 -0.29 дБ -10.77 дБ 3:57 02-Trouble No More
DR10 -0.30 дБ -12.16 дБ 3:50 03-Don't Keep Me Wondering
DR9 -0.29 дБ -10.56 дБ 11:46 04-In Memory of Elizabeth Reed
DR11 -0.30 дБ -13.50 дБ 9:04 05-Stormy Monday
DR11 -0.30 дБ -13.21 дБ 16:21 06-You Don't Love Me
DR9 -0.29 дБ -10.55 дБ 16:02 07-Whipping Post

Количество треков: 7
Реальные значения DR: DR10
Частота: 44100 Гц
Каналов: 2
Разрядность: 16
Битрейт: 807 кбит/с
Кодек: FLAC

DISC THREE: FILLMORE WEST, 31 JANUARY 1971 (PART I) (01:00:42)

01. Statesboro Blues (Blind Willie McTell) 04:29

02. Trouble No More (McKinley Morganfield, aka Muddy Waters) 04:05

03. Don’t Keep Me Wondering (Gregg Allman) 03:41

04. In Memory of Elizabeth Reed (Dickey Betts) 12:27

05. Midnight Rider (Gregg Allman / Robert Kim Payne) 03:05

06. Hoochie Coochie Man (Willie Dixon) 04:55

07. Dreams (Gregg Allman) 10:49

08. You Don’t Love Me (Willie Cobbs) 17:11

Замер динамического диапазона (DR)

foobar2000 1.4.6 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2019-09-06 22:06:49

Анализ: The Allman Brothers Band / Fillmore West '71 (CD 3)

DR Пики RMS Продолжительность трека

DR8 -0.29 дБ -10.00 дБ 4:29 01-Statesboro Blues
DR9 -0.29 дБ -10.89 дБ 4:05 02-Trouble No More
DR8 -0.29 дБ -9.53 дБ 3:41 03-Don't Keep Me Wondering
DR7 -0.29 дБ -8.71 дБ 12:27 04-In Memory of Elizabeth Reed
DR8 -0.30 дБ -10.17 дБ 3:05 05-Midnight Rider
DR8 -0.29 дБ -9.54 дБ 4:55 06-Hoochie Coochie Man
DR8 -0.29 дБ -10.77 дБ 10:49 07-Dreams
DR9 -0.29 дБ -12.24 дБ 17:11 08-You Don't Love Me

Количество треков: 8
Реальные значения DR: DR8
Частота: 44100 Гц
Каналов: 2
Разрядность: 16
Битрейт: 731 кбит/с
Кодек: FLAC

DISC FOUR: FILLMORE WEST, 31 JANUARY 1971 (PART II + BONUS) (01:12:07)

01. Hot ’Lanta (Duane Allman / Gregg Allman / Dickey Betts / Jai Johanny Johanson / Berry Oakley / Butch Trucks) 05:32

02. Whipping Post (Gregg Allman) 20:53

03. Mountain Jam [Waterhouse, New Orleans, LA, 13/3/70] Jam (Donovan Leitch / The Allman Brothers Band) 45:43

Замер динамического диапазона (DR)

foobar2000 1.4.6 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2019-09-06 22:35:35

Анализ: The Allman Brothers Band / Fillmore West '71 (CD 4)

DR Пики RMS Продолжительность трека

DR8 -0.30 дБ -10.67 дБ 5:32 01-Hot 'Lanta
DR8 -0.29 дБ -10.06 дБ 20:53 02-Whipping Post
DR5 -0.29 дБ -7.31 дБ 45:43 03-Mountain Jam [Waterhouse, New Orleans, LA, 13 Mar. 1970]

Количество треков: 3
Реальные значения DR: DR7
Частота: 44100 Гц
Каналов: 2
Разрядность: 16
Битрейт: 926 кбит/с
Кодек: FLAC

О группе
The story of the Allman Brothers Band is one of triumph, tragedy, redemption, dissolution, and more redemption. Since their beginning in the late ’60s, they went from being America’s single most influential band to a shell of their former self trading on past glories, to reach the 21st century resurrected as one of the most respected rock acts of their era.
For the first half of the ’70s, the Allman Brothers Band was the most influential rock group in America, redefining rock music and its boundaries. The band’s mix of blues, country, jazz, and even classical influences, and their powerful, extended on-stage jamming altered the standards of concert performance-other groups were known for their on-stage jamming, but when the Allman Brothers stretched a song out for 30 or 40 minutes, at their best they were exciting, never self-indulgent. They gave it all a distinctly Southern voice and, in the process, opened the way for a wave of ’70s rock acts from south of the Mason-Dixon Line, including the Marshall Tucker Band, Lynyrd Skynyrd, and Blackfoot, whose music, at least initially, celebrated their roots. And for a time, almost single-handedly, they also made Capricorn Records into a major independent label.
The group was founded in March 1969 by (Howard) Duane Allman (b. Nov. 20, 1946-d. Oct. 29, 1971) on guitar; (Gregory L.) Gregg Allman (b. Dec. 8, 1947-d. May 27, 2017) on vocals and organ; Forrest Richard (“Dickey”) Betts (b. Dec. 12, 1943) on guitar; (Raymond) Berry Oakley (b. Apr. 4, 1948-d. Nov. 12, 1972) on bass; and Claude Hudson (“Butch”) Trucks (b. May 11, 1947-d. Jan. 24, 2017) and Jaimoe (aka Jai Johanny Johanson, b. July 8, 1944) on drums. Duane and Gregg Allman loved soul and R&B, although they listened to their share of rock & roll, especially as it sounded coming out of England in the mid-’60s. Their first group was a local Daytona Beach garage band called the Escorts, who sounded a lot like the early Beatles and Rolling Stones; they later became the Allman Joys and plunged into Cream-style British blues, and then the Hour Glass, which drew from and extended their soul influences. The group landed a contract with Liberty Records with help from the Nitty Gritty Dirt Band, but the company wasted the opportunity on a pair of over-produced albums that failed to capture the Hour Glass’ sound. The group split up after Liberty rejected a proposed third LP steeped in blues and R&B.
Duane Allman began working as a session guitarist at Fame Studios in Muscle Shoals, Alabama, and it was there, appearing on records by Wilson Pickett, Aretha Franklin, John Hammond, and King Curtis, among others, that he made his reputation. In 1969, at the coaxing of ex-Otis Redding manager Phil Walden, Allman gave up session work and began putting together a new band-Jaimoe came aboard, and then Allman’s longtime friend Butch Trucks and another Allman friend, Berry Oakley, joined, along with Dickey Betts, with whom Oakley was playing in a group called Second Coming. A marathon jam session ensued, at the end of which Allman had his band, except for a singer-that came later, when his brother Gregg agreed to join. They were duly signed to Walden’s new Capricorn label.
The band didn’t record their first album until after they’d worked their sound out on the road, playing heavi