Deodato - Prelude & Deodato 2 - 1972, 1973/2017

[/list]Deodato / Prelude & Deodato 2

Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1972, 1973/2017
Жанр: Jazz, Funk
Издатель (лейбл): CTI / Sony / Vocalion
Продолжительность: 01:07:13
: Да (сканы)

Треклист:
Prelude
1: ALSO SPRACH ZARATHUSTRA (2001) (Richard Strauss arr/adapt Deodato), soloists: John Tropea (electric guitar), Stanley Clarke (bass guitar)

2: SPIRIT OF SUMMER (Deodato), soloist: Jay Berliner (acoustic guitar)

3: CARLY & CAROLE (Deodato)

4: BAUBLES, BANGLES AND BEADS (Wright; Forrest), soloist: John Tropea (electric guitar)

5: PRELUDE TO THE AFTERNOON OF A FAUN (Debussy arr/adapt Deodato), soloists: Marvin Stamm (trumpet), Hubert Laws (flute)

6: SEPTEMBER 13 (Deodato; Cobham), soloist: John Tropea (electric guitar)
Deodato 2
7: NIGHTS IN WHITE SATIN (Hayward)

8: PAVANE FOR A DEAD PRINCESS (Ravel arr/adapt Deodato)

9: SKYSCRAPERS (Deodato)

10: SUPER STRUT (Deodato)

11: RHAPSODY IN BLUE (Gershwin arr/adapt Deodato)

Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DST64
Количество каналов: 5.1 (4.0), 2.0

Состав
[Deodato 2]
Arranged By, Conductor - Eumir Deodato
Arco Bass - Alvin Brehm (tracks: 7 to 11), Russ Savakus (tracks: 7 to 11)
Baritone Saxophone - Joe Temperley (tracks: 7 to 11)
Bass Guitar - John Giulino (tracks: 7 to 11), Stanley Clarke (tracks: 7 to 11)
Bass Trombone - Tony Studd (tracks: 7 to 11)
Cello - Alan Shulman (tracks: 7 to 11), Charles McCracken (tracks: 7 to 11), George Ricci (tracks: 7 to 11)
Drums - Billy Cobham (tracks: 7 to 11), Rick Marotta (tracks: 7 to 11)
Electric Guitar - John Tropea (tracks: 7 to 11)
Flute - George Marge (tracks: 7 to 11), Hubert Laws (tracks: 7 to 11), Jerry Dodgion (tracks: 7 to 11), Romeo Penque (tracks: 7 to 11)
French Horn - Brooks Tillotson (tracks: 7 to 11), Jim Buffington (tracks: 7 to 11)
Keyboards - Eumir Deodato (tracks: 7 to 11)
Percussion - Gilmore Digap (tracks: 7 to 11), Rubens Bassini (tracks: 7 to 11)
Trombone - Garnett Brown (tracks: 7 to 11), Wayne Andre (tracks: 7 to 11)
Trumpet - Burt Collins (tracks: 7 to 11), Joe Shepley (tracks: 7 to 11), Victor Paz (tracks: 7 to 11)
Trumpet, Flugelhorn - Alan Rubin (tracks: 7 to 11), Jon Faddis (tracks: 7 to 11), Marvin Stamm (tracks: 7 to 11)
Viola - Alfred Brown (tracks: 7 to 11), Emanuel Vardi (tracks: 7 to 11)
Violin - David Nadien (tracks: 7 to 11), Elliot Rosoff (tracks: 7 to 11), Emanuel Green (tracks: 7 to 11), Gene Orloff (tracks: 7 to 11), Harold Kohon (tracks: 7 to 11), Harry Cykman (tracks: 7 to 11), Harry Glickman (tracks: 7 to 11), Harry Lookofsky (tracks: 7 to 11), Irving Spice (tracks: 7 to 11), Joe Malin (tracks: 7 to 11), Max Ellen (tracks: 7 to 11), Paul Gershman (tracks: 7 to 11)
[Prelude]
Acoustic Bass - Ron Carter (tracks: 1 to 3, 5, 6)
Acoustic Guitar - Jay Berliner (tracks: 1 to 6)
Bass Guitar - Ron Carter (tracks: 4), Stanley Clarke (tracks: 1)
Cello - Charles McCracken (tracks: 1 to 6), Harvey Shapiro (tracks: 1 to 6), Seymour Barab (tracks: 1 to 6)
Congas - Ray Barretto (tracks: 1 to 6)
Drums - Billy Cobham (tracks: 1 to 6)
Electric Guitar - John Tropea (tracks: 1 to 6)
Flute - George Marge (tracks: 1 to 6), Hubert Laws (tracks: 1 to 6), Phil Bodner (tracks: 1 to 6), Romeo Penque (tracks: 1 to 6)
French Horn - Jim Buffington (tracks: 1 to 6), Peter Gordon (8) (tracks: 1 to 6)
Percussion - Airto Moreira (tracks: 1 to 6)
Piano [Acoustic Piano], Electric Piano - Eumir Deodato (tracks: 1 to 6)
Trombone - Bill Watrous (tracks: 1 to 6), Garnett Brown (tracks: 1 to 6), George Strakey (tracks: 1 to 6), Paul Faulise (tracks: 1 to 6), Wayne Andre (tracks: 1 to 6)
Trumpet - Joe Shepley (tracks: 1 to 6), John Frosk (tracks: 1 to 6), Marky Markowitz (tracks: 1 to 6), Marvin Stamm (tracks: 1 to 6)
Viola - Alfred Brown (tracks: 1 to 6), Emanuel Vardi (tracks: 1 to 6)
Violin - David Nadien (tracks: 1 to 6), Elliot Rosoff (tracks: 1 to 6), Emanuel Green (tracks: 1 to 6), Gene Orloff (tracks: 1 to 6), Harry Lookofsky (tracks: 1 to 6), Max Ellen (tracks: 1 to 6), Paul Gershman (tracks: 1 to 6)
Доп. информация: [Prelude]
LP CTI 6021 (1972) Stereo / CTSQ 6021 Quadraphonic
Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey, September 1972
[Deodato 2]
LP CTI 6029 (1973) Stereo / CTSQ 6029 Quadraphonic
Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey, April & May 1973.
Producer - Creed Taylor
Vocalion CDSML 8532 (2017)
Remastered By [Remastered From The Original Analogue Tapes By] - Michael J. Dutton
This SACD ISO was ripped by sacd-ripper for PS3 version 0.37.

: KingCrim (PS³SACD)
duttonvocalion.co.uk/proddetail.php?prod=CDSML8532
/Deodato-Prelude-SACD-Hybrid-Multi-channel/dp/B076HPB6GW
collectomania/collection/sacd/product/deodato-prelude-deodato-2-sacd
[spoiler='Об альбоме (сборнике)']
Два альбома бразильского музыканта Эумира Деодато на одном диске в формате SACD.
'Prelude' (1972) - восьмой студийный альбом бразильского клавишника Эумира Деодато. 'Prelude' стал самым успешным альбомом музыканта. В записи альбома приняли участие гитарист Джон Тропеа, басисты Рон Картер и Стэнли Кларк, барабанщик Билли Кобэм. Трек 'Also Sprach Zarathustra' получил премию Грэмми в 1974 году, занял второе место в поп-чартах в США, номер три в Канаде и номер семь в Великобритании.
'Deodato 2' (1973) - студийный альбом бразильского музыканта Эумира Деодато, изданный 18 июля 1973 года. В записи альбома принимали участие гитарист-сессионщик Джон Тропиа, работавший над 4 композициями пластинки и басист-виртуоз Стэнли Кларк, участвовавший в создании 'Skyscrapers'. Песня 'Rhapsody in Blue2', исполненная Эумиром Деодато, использовалась в рекламе автомобилей Pontiac в начале 1970-х годов. Треки 'Latin Flute' и 'Super Strut' были включены в саундтрек к игре 'Grand Theft Auto: Vice City' в 2002 году.
Эумир Деодато - бразильский джазовый музыкант, продюсер, аранжировщик. Основная часть произведений может быть отнесена к поп-джазу или кроссовер-джазу. Стал широко известен как исполнитель в 1970-е годы. Является продюсером более 500 альбомов различных исполнителей, например Бьорк.
From CTI, the imprint of legendary jazz producer Creed Taylor, comes the albums Prelude and Deodato 2, both of which showcase the talents of Brazilian keyboardist-composer-arranger Eumir Deodato. A native of Rio de Janeiro, he began his career in the early ’60s working for Luiz Bonfá, Marcos Valle and Antonio Carlos Jobim before moving to the US in 1967 where he quickly made a name for himself - he would soon start arranging for luminaries such as Frank Sinatra and Milton Nascimento.
His work on Nascimento’s 1969 album Courage brought him into contact with Creed Taylor, and when Taylor set up CTI in 1971, he wasted no time in engaging Deodato’s arranging skills. Deodato’s early CTI work included his beautiful orchestrations for Astrud Gilberto and Stanley Turrentine’s 1971 album Gilberto with Turrentine, and by 1972 Deodato himself had earned a solo contract with the label. He struck gold with his first effort, the aptly titled Prelude, thanks to Creed Taylor’s penchant for getting his artists to record jazz/crossover versions of well-known classical pieces. In Deodato’s case, it was the Sunrise fanfare from Richard Strauss’s Also Sprach Zarathustra, which had become popular through its use in Stanley Kubrick’s sci-fi epic 2001: A Space Odyssey. Deodato’s funked up, Fender Rhodes-laden reimagining of it brought both him and CTI chart success - it would become an international hit - and while it casts a long shadow over the remainder of the album, Prelude nevertheless contains several other gems. Notable among them is the Latin-flavoured jazz of Carly & Carole (Deodato’s tribute to singer-songwriters Carly Simon and Carole King) and the low-slung funk of September 13, powered by Billy Cobham’s muscular drumming.
The sequel, Deodato 2, recorded during April and May 1973, adhered to the same formula: funky originals alongside his interpretations of various classical pieces. And although it failed to emulate the success of its predecessor, Deodato 2 is arguably the better album,