Anna Paradiso - Paradiso Plays Paradisi - 2020

Anna Paradiso - Paradiso Plays Paradisi

Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания: 2020
Жанр: Classical
Издатель (лейбл): BIS
Продолжительность: 01:27:48
: Буклет PDF
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0

Треклист:
Pietro Domenico Paradies (1707 - 1791)
Keyboard Sonata No. 10 in D Major

01. I. Vivace (4:55)

02. II. Presto (1:34)
Keyboard Sonata No. 1 in G Major

03. I. Allegro (3:43)

04. II. Vivace (2:25)
Keyboard Sonata No. 4 in C Minor

05. I. Andante (9:24)

06. II. Minuetto (1:42)
Keyboard Sonata No. 5 in F Major

07. I. Presto (6:30)

08. II. Giga (1:59)
Keyboard Sonata No. 6 in A Major

09. I. Vivace (6:07)

10. II. Allegro (2:04)
Keyboard Sonata No. 3 in E Major

11. I. Presto (3:23)

12. II. Aria (5:13)
Keyboard Sonata No. 2 in B-Flat Major

13. I. Andante (8:16)

14. II. Giga (2:40)
Keyboard Sonata No. 7 in B-Flat Major

15. I. Allegro (8:27)

16. II. Presto (1:46)
Keyboard Sonata No. 8 in E Minor:

17. I. Allegro (6:26)

18. II. Presto (1:38)
Keyboard Sonata No. 8 in A Minor:

19. I. Allegro (5:11)

20. II. Andante (4:34)

Исполнители:
Anna Paradiso, harpsichord

Об альбоме (сборнике)
As Anna Paradiso writes in her liner notes to this disc the history of music is full of fine composers who, for one reason or another, have been largely forgotten. In the case of Pietro Domenico Paradisi, it is only thanks to his Sonate di gravicembalo that he has escaped complete obscurity. Even his name is less than certain is it Paradies or Paradisi? We know that he sometimes added the epithet Napolitano to his signature, and its presumed that he was born in or around Naples c. 1706. He may have studied with Nicola Porpora, but otherwise little is known about him before his arrival in England in 1746. There he composed an opera, but was primarily recognized as a harpsichord teacher and performer. The collection of twelve sonatas was first published in London in 1754, and ten of them have been selected for this amply filled disc (almost 88 minutes of music!). The sonatas appeared at a time when the clavichord remained in use, the harpsichord enjoyed its glory days and the fortepiano was beginning to come into its own. Anna Paradiso has therefore chosen to play on all three instruments with the clavichord and the fortepiano being historic examples from 1792 and 1802 respectively. Highly acclaimed for her recordings of solo works and chamber music by the Swedish composer Johan Helmich Roman, Anna Paradiso now lets us enjoy the playfulness and expressivity of Paradisis approach to keyboard playing.