Beethoven: Symphony No. 5, Op. 67 & Leonore Overture No. 3, Op. 72b 1959/2020

Beethoven:
Symphony No. 5, Op. 67 & Leonore Overture No. 3, Op. 72bBerliner Philharmoniker & André Cluytens

Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1959/2020
Жанр: Classical/Orchestral
Издатель (лейбл): Erato / Warner
Продолжительность: 00:48:19
: Только обложка альбома

Треклист:
Beethoven:Symphony No. 5 in C Minor, Op. 67:

1. I. Allegro con brio (8:30)

2. II. Andante con moto (9:57)

3. III. Allegro (5:31)

4. IV. Allegro - Presto (9:04)

5. Leonore Overture No. 3, Op. 72b (15:16)

Berliner Philharmoniker
Andre Cluytens, conductor
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/96
Формат: PCM
Количество каналов: 2.0
: WEB
highresaudio/en/album/view/vgpggx/berliner-philharmoniker-andre-cluytens-beethoven-symphony-no-5-op-67-leonore-overture-no-3-op-72b-remastered

Об альбоме (сборнике)
Andre Cluytens' 1957-1960 cycle of Beethoven symphonies was the first Beethoven cycle directed by a French conductor, but since the orchestra is the super-virtuoso, echt-Deutsch Berliner Philharmoniker, it's hard to say exactly what is French about these performances. The colors are carefully weighed and balanced, but they are still more German primary colors than French blended colors. The tempos are quick but not especially so, and though they are often impetuous, they are never reckless. Cluytens does not overly emphasize line over form, and although his conception of the scores is more nuanced than a German's might be, it is in no way too subtle. The usual distinctions between more reserved even-numbered symphonies and more aggressive odd-numbered symphonies hold less here than they might, but less so than in many readings by English and American conductors.
Cluytens is a generously talented, highly skilled conductor, and each work is superbly performed by the Berlin. But, while one can easily listen through with pleasure, and even return to each performance and hear new things every time, there are other, better Beethoven cycles out there, and Cluytens can't stand up to the competition as a top rank in the pantheon. EMI's early stereo sound is not perhaps as warm and rich as its later stereo sound, but it's still very impressive for its time.