To the Unknown Goddess - A Portrait of Barbara Strozzi 1997

To the Unknown Goddess - A Portrait of Barbara Strozzi

Жанр: Classical cantata
Страна-производитель диска: Made in England
Год издания диска: 1997
Издатель (лейбл): Carlton Classics
Номер по каталогу: 30366 00412
Дата записи: 1996
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: (lossy + lossless)
Продолжительность: 01:09:10
Источник: релизер
-источник/ник/другое: basso profundo, подарок (мой заказ); Caterina Sforza - тяжёлая работа с cue, доп сканы
: да, три полных авторских буклета (два jpeg и один pdf), 16 страниц
Треклист:

1. Ardo In Tacito Foco

2. Tradimento

3. Pensaci Ben Mio Core

4. Gite O Giorni Dolenti

5. Lamento/Lagrime Mie, A Che Vi Trattenete

6. La Fanciulletta Semplice/Spesso Per Entro Al Petto

7. Amor Dormiglione/Amor, Non Dormir Piu

8. L'Amante Segreto/Voglio, Voglio Morire

9. Giusta Negativa/Non Me Dite Ch'io Canti

10. La Sol Fa Mi Re Do/La Mia Donna Perche Canta

11. Appresso Ai Molli Argenti

Исполнители

Barbara Strozzi (1619-c.1664)
To the Unknown Goddess - A Portrait of Barbara StrozziArdo in tacito foco
Tradimento
Pensaci ben mio cor
Gite o giorno dolenti
Lamento / Lagrimae mie
La fanciuletta semplice / Spesso per entro al petto
Amor dormiglione / Amor, no dormi piu
L'amante segreto / Voglio, volgio morire
Giusta negativa / Non me dite ch'io canti
La so fa mi re do / La mia donna perche canta
Appresso ai molli argenti
Catherine Bott (soprano)
Paula Chateauneuf (chitarrone, baroque guiar)
Timothy Roberts (harpsichord)
Frances Kelly (double harp)
Release Date: April 22, 1997

Рецензия от издателя

Several female composers achieved some slight renown in 17th-century Italy, but none was more widely known or praised than the extraordinary Barbara Strozzi. This famously virtuoso singer wrote herself truly imaginative, compelling music--the wide-ranging, fluttering runs of the wedding song 'Gite, o giorni dolenti,' the passionate anguish and the unsettling chromatic turns in the melody of 'Lagrime mie,' the coquettish humor of 'La sol fa mi re do,' and on and on. For this 'portrait of Barbara Strozzi,' Catherine Bott gives a spectacular performance, encompassing the wide range (both vocal and emotional) and technical challenges of this music with ease and dramatic flair. (The accompaniment--harp, lute, and harpsichord--is particularly attractive as well.) The cantatrice virtuosissima (as Strozzi's contemporaries called her) has met her match. --Matthew Westphal