Lulier - Cantate e Sonate 2018

Lulier - Cantate e Sonate (Francesca Boncompagni, Accademia Ottoboni, Marco Ceccato)

Жанр: Classical cantata / sonata
Страна-производитель диска: Made in Austria
Год издания диска: 2018
Издатель (лейбл): Alpha
Номер по каталогу: ALPHA406
Дата записи: 2017
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: (lossy + lossless)
Продолжительность: 00:58:16
Источник: релизер
-источник/ник/другое: Carlos, подарок; Caterina Sforza - тяжёлая работа с cue, доп. сканы
: да
Треклист:
Amor, di che tu vuoi
1. I. Recitativo 'Amor, di che tu vuoi ch’ora io favelli'

2. II. Aria 'I begli occhi del mio bene'

3. III. Recitativo 'Non vi stupite amanti'

4. IV. Aria 'Quelle luci son due stelle'

5. V. Recitativo 'Occhi leggiadri e belli'

6. VI. Aria 'Mirate le mie piaghe'
Sonata in D Major
7. I. Adagio

8. II. Andante

9. III. Adagio

10. IV. Presto
Ferma alato pensier
11. I. Arioso 'Ferma alato pensier, ferma il tuo volo'

12. II. Aria 'Si ribella dall’alma il pensiero'

13. III. Recitativo 'Vanne dunque o pensier'

14. IV. Aria 'Il bel che splende'

15. V. Recitativo 'Vanne dunque o pensier'

16. VI. Aria 'Tirsi se vuoi il cor moi'

17. VII. Recitativo 'Ama chi t’ama, Tirsi'

18. VIII. Aria 'È troppo ingiusta brama'
Sonata in F Major
19. I. Allegro

20. II. Adagio

21. III. Aria
Là dove a pafo in seno
22. I. Recitativo 'Là dove a pafo in seno'

23. II. Aria 'Oh, madre cara'

24. III. Recitativo 'In così fatti accenti'

25. IV. Aria 'Se un minuto animaletto'
La Didone
26. I. Recitativo 'Già dell’empio tiranno'

27. II. Aria 'Perché cada ormai sconftto'

28. II. Aria 'Cruda cagion del mio schernito affetto'

29. II. Aria 'Fuggi, Che s'ai miei lutti'

30. II. Aria 'M'abbandona l'infido e voi che fate'

31. II. Aria 'Mentre io resto ed ei dispare'

32. III. Recitativo 'Verso se stessa rea'

Исполнители

Giovanni Lorenzo Lulier (c.1662-1700)
Cantate e SonateAmor, Di Che tu Vuoi
Sonata in D Major
Ferma Alato Pensier
Sonata in F Major
Là, Dove a Pafo in Seno
La Didone
Francesca Boncompagni (soprano)
[u]Accademia Ottoboni[/u]
Marco Ceccato (cello & direction)
Teresa Ceccato (violin)
Anna Fontana (harpsichord)
Francesco Romano (theorbo & guitar)
Recording Date: December 4, 2017 - December 8, 2017
Recording Location: San Francesco Church, Cori (Italy)
Release Date: October 12, 2018
Release Date: 5th Oct 2018

Review

In Rome between the late seventeenth century and the early eighteenth, academies and ‘conversazioni’ (artistic gatherings) organized by aristocrats and cardinals attracted the leading writers and musicians. The names of Arcangelo Corelli, Alessandro Scarlatti and the young G. F. Handel stand out among many others. Giovanni Lorenzo Lulier (Rome, c.1660-1700), a cellist and composer known as ‘Giovanni del Violone’, participated in this intensive musical activity. When he entered the entourage of Cardinal Pietro Ottoboni, in 1690, Lulier already had a decade of compositional activity behind him in the genres of oratorio, opera and above all the chamber cantata. Originally consisting of a succession of strophic arias, the cantata gradually established itself as a poetic and musical genre characterized by alternating recitatives and arias. As is well known, the conversazioni of the sixteenth and seventeenth centuries also included the performance of instrumental music. On this release, Lulier’s cantatas are coupled with his sonatas and beautifully performed by Francesca Boncompagni, Accademia Ottoboni, and Marco Ceccato.

Product Description
In Rome between the late seventeenth century and the early eighteenth, academies and conversazioni (artistic gatherings) organised by aristocrats and cardinals attracted the leading writers and musicians. The names of Arcangelo Corelli, Alessandro Scarlatti and the young G. F. Handel stand out among many others. Giovanni Lorenzo Lulier (Rome, c.1660-1700), a cellist and composer known as Giovanni del Violone , participated in this intensive musical activity. [...] When he entered the entourage of Cardinal Pietro Ottoboni, in 1690, Lulier already had a decade of compositional activity behind him in the genres of oratorio, opera and above all the chamber cantata.Originally consisting of a succession of strophic arias, the cantata gradually established itself as a poetic and musical genre characterised by alternating recitatives and arias. [...] As is well known, the conversazioni of the sixteenth and seventeenth centuries also included the performance of instrumental music.