Part/Пярт, Komitas, Kedrov/Кедров, le Rouge, Perotin, von Bingen, Brumel - Remember me, my dear 2019

Remember me, my dear (Jan Garbarek, The Hilliard Ensemble)

Жанр: Classical sacred
Страна-производитель диска: Made in Germany
Год издания диска: 2019
Издатель (лейбл): ECM Records GmbH, München
Номер по каталогу: 481 7971
Дата записи: 2014
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: (lossy + lossless)
Продолжительность: 01:17:33
Источник: релизер
-источник/ник/другое: lebiega, подарок; Caterina Sforza - тяжёлая работа с cue, доп. сканы
: да
Треклист:

1 OV ZARMANALI (Armenian tratidional, Komitas) 06:00

2 PROCURANS ODIUM (Anonymous) 03:23

3 ALLTING FINNS (Jan Garbarek) 04:00

4 LITANY (Nikolai N. Kedrov) 09:00

5 DOSTOINO EST (Anonymous) 03:16

6 SANCTUS (Anonymous) 07:50

7 MOST HOLY MOTHER OF GOD (Arvo Pärt) 04:11

8 PROCEDENTUM SPONSUM (Anonymous) 04:17

9 SE JE FAYZ DEUIL (Guillaume le Rouge) 06:17

10 ALLELUIA NATIVITAS (Pérotin) 05:09

11 O IGNIS SPIRITUS (Hildegard von Bingen) 07:29

12 WE ARE THE STARS (Jan Garbarek) 05:19

13 AGNUS DEI (Antoine Brumel) 06:10

14 REMEMBER ME, MY DEAR (Anonymous) 05:13

Исполнители

Remember me, my dearAnonymous
Ov zarmanali
Procurans odium
Jan Garbarek (1947)
Allting finns
Nikolay Kedrov Sr. (1871-1940)
Litany
Anonymous
Dostoino est
Sanctus
Arvo Pärt (1935)
Most Holy Mother of God
Anonymous
Procedentem sponsum
Guillaume le Rouge (c1385-c1450)
Se je fayz deuil
Perotinus (c1160-c1236)
Alleluia nativitas
Hildegard von Bingen (1098-1179)
O ignis spiritus
Jan Garbarek (1947)
We Are the Stars
Antoine Brumel (c1450-c1520)
Agnus Dei
Anonymous
Remember Me, My Dear
Jan Garbarek (soprano saxophone)
[u]The Hilliard Ensemble[/u]:
David James (countertenor)
Rogers Covey-Crump (tenor)
Steven Harrold (tenor)
Gordon Jones (baritone)
Recording Date: October, 2014
Recording Location: Collegiate Church, Bellinzona, Switzerland
Release Date: October 18, 2019

Product Description

25 years on from the release of Officium, the groundbreaking alliance of Jan Garbarek and The Hilliard Ensemble, comes Remember me, my dear, recorded during the final tour the group made in October 2014.
Named for the Scottish ballad which concludes it, the programme is emblematic of the range of repertoire the Norwegian saxophonist and British vocal quartet explored together - from Pérotin, Hildegard von Bingen, Guillaume le Rouge, Antoine Brumel to Komitas, Arvo Pärt and more.
It could be said that the Hilliard/Garbarek combination, in concert, transcended its source materials, with early music, contemporary composition and improvisation interfused in the responsive acoustics of sacred spaces. And this final album reminds us that this unique grouping, and its unprecedented exploration of sound, was consistently breathtaking.
They were first brought together by producer Manfred Eicher in 1993. Officium, the debut album made the following year, touched a large international audience. A million copies of Officium were sold swiftly, and a thousand concerts - many in cathedrals, churches and other sacred spaces - followed over a 20-year period.
Personnel: Jan Garbarek (soprano saxophone); The Hilliard Ensemble: David James (countertenor), Rogers Covey-Crump (tenor), Steven Harrold (tenor), Gordon Jones (baritone)

Review

AllMusic Review by James Manheim [-]
Made shortly before the dissolution of the Hilliard Ensemble in 2014, this live recording first appeared in the fall of 2019. It thus has the quality of a swan song for the unique collaboration of the Hilliard Ensemble and saxophonist Jan Garbarek, which still sounds fresh many years after it was first developed. The way the cool textures of the Hilliard's singing and Garbarek's saxophone bring together the disparate worlds of medieval music, contemporary music including Baltic minimalism, and jazz remains fascinating. Here, the performers seem aware of the finality of the concert, recorded where the group began, at King's College, Cambridge. The sound is clear and the feeling immediate, but there is a good deal of audience noise. The mix of material is similar to that on other Garbarek/Hilliard albums, but there's a new simplicity, with folk tunes such as the title track (sample this), which despite the reserve of these performers, has a strongly bittersweet, sentimental flavor. Garbarek's role is reined in; for long stretches, he makes only small instrumental comments, which has a somehow haunting effect. This may not be the album to pick if you're new to the Garbarek/Hilliard collaboration, for ECM's pristine studio sound has been part of the equation for most of them. However, for devotees of this ensemble, this is essential stuff.