Palestrina - Missa sine nomine a 6; Accepit Jesus Calicem; Judica me Domine 2019

Palestrina - Missa sine nomine a 6; Accepit Jesus Calicem; Judica me Domine, etc.

Жанр: Classical sacred
Страна-производитель диска: Made in the EU
Год издания диска: 2019
Издатель (лейбл): Toccata Classics
Номер по каталогу: TOCC0516
Дата записи: 2018
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: (lossy + lossless)
Продолжительность: 01:17:10
Источник: релизер
-источник/ник/другое: Roy Movrich, подарок; Caterina Sforza - доп. сканы (cue не трогал)
: да, авторские сканы tif + web pdf буклет
Треклист:

01: INGEGNERI - Super flumina Babylonis (publ. 1589)
PALESTRINA

02: Deus qui dedisti

03: Missa sine nomine a 6 (publ.1590) - I Kyrie

04: Judica me, Deus (publ. 1575)

05: Missa sine nomine a 6 (publ.1590) - II Gloria

06: Duo Seraphim clamabant (publ. 1589)

07: Missa sine nomine a 6 (publ.1590) - III Credo

08: Ricercar Quarti Toni

09: Missa sine nomine a 6 (publ.1590) - IV Sanctus

10: Missa sine nomine a 6 (publ.1590) - V Benedictus

11: Accepit Jesus Calicem (publ. 1575)

12: Missa sine nomine a 6 (publ.1590) - VI Agnus Dei

13: Ricercar Octavi Toni

14: Unus ex duobus (publ. 1569)

15: Tu es Petrus (publ. 1572)

16: INGEGNERI - Lauda Sion Salvatorem (publ. 1589)

Исполнители

Giovanni Pierluigi da Palestrina (1525-1594)
Missa sine nomine a 6
Judica me, Deus
Duo Seraphim clamabant
Ricercar Quarti Toni
Accepit Jesus Calicem
Ricercar Octavi Toni
Unus ex duobus
Tu es Petrus
Marc'Antonio Ingegneri (c1535-1592)
Super flumina Babylonis
Lauda Sion Salvatorem
[u]Choir of Girton College, Cambridge[/u]
[u]Royal Academy of Music and Royal Welsh College of Music and Drama[/u]
James Mitchell, Lucy Morrell - organ
Recording Date: July 12, 2018 - July 14, 2018
Recording Location: Chapel of Girton College, Cambridge, England
Release Date: March 15, 2019

About

Renaissance polyphony is generally held to be stately, calm, reassuring. But this programme of Palestrina’s six-part Missa sine nomine, complemented by five of his motets and three by Marc'Antonio Ingegneri (c. 1535/36-92), was recorded after the Choir of Girton College, Cambridge, had undertaken a tour of Israel and Palestine. There the music and its texts (‘How can we sing the Lord’s song in a strange land?’) took on an extraordinary poignancy, with the dispossession and desperation of thousands of years ago animating the restrained dignity of Palestrina’s counterpoint with an unexpectedly topical intensity. The Girton College Chapel Choir has gained an impressive reputation as one of the most distinguished mixed-voice choirs at the University of Cambridge. As an international prize-winning ensemble comprising around 26 students, it has built its reputation through regular choral services in Girton College Chapel and frequent performances in parish churches and cathedrals across the UK. Choir members are all undergraduate or graduate students at Cambridge University.

Editorial Reviews
Renaissance polyphony is generally held to be stately, calm, reassuring. But this programme of Palestrinas six-part Missa sine nomine, complemented by five of his motets and three by Marc'Antonio Ingegneri (c. 1535/3692), was recorded after the Choir of Girton College, Cambridge, had undertaken a tour of Israel and Palestine. There the music and its texts (How can we sing the Lords song in a strange land?) took on an extraordinary poignancy, with the dispossession and desperation of thousands of years ago animating the restrained dignity of Palestrinas counterpoint with an unexpectedly topical intensity. The Girton College Chapel Choir has gained an impressive reputation as one of the most distinguished mixed-voice choirs at the University of Cambridge. As an international prize-winning ensemble comprising around 26 students, it has built its reputation through regular choral services in Girton College Chapel and frequent performances in parish churches and cathedrals across the UK. Choir members are all undergraduate or graduate students at Cambridge University.