Karlheinz Stockhausen - Aus den Sieben Tagen

Karlheinz Stockhausen - Aus den Sieben Tagen (From the Seven Days) (7CDs)
Жанр: Avant-Garde, Contemporary Classical
Аудио кодек: MP3
Тип рипа: tracks
Битрейт аудио: 192 kbps
Продолжительность: 6h:57m:03s
Трэклист:
01. Richtige Dauern (Right Durations), for ca. 4 players
02. Unbegrenzt (Unlimited), for ensemble
03. Verbindung (Connection), for ensemble
04. Treffpunkt (Meeting Point), for ensemble
05. Nachtmusik (Night Music), for ensemble
06. Abwarts (Downward), for ensemble
07. Aufwarts (Upward), for ensemble
08. Oben und Unten (Above and Below), a theater piece, for a man, a woman, a child, and 4 instrumentalists (NOT ISSUED HERE)
09. Intensitat (Intensity), for ensemble
10. Setz die Segel zur Sonne (Set Sail for the Sun), for ensemble
11. Kommunion (Communion), for ensemble
12. Litanei (Litany), for speaker or choir (NOT ISSUED HERE)
13. Es (It), for ensemble
14. Goldstaub (Gold Dust), for ensemble
15. Ankunft (Arrival), for speaker or speaking choir (NOT ISSUED HERE)

Stockhausen Edition no. 14

cd1

01 “RICHTIGE DAUERN” (“Right Durations”) for circa 4 players
(May 7th 1968).
Recorded August 26th 1969, never played before. Duration: 21:00.
Participants: Carlos R. Alsina (piano Hammond organ), Jean-François
Jenny-Clark (double-bass), Jean-Pierre Drouet (percussion), Michel Portal
(tenor saxophone clarinet), Vinko Globokar (trombone), Karlheinz
Stockhausen (voice, bamboo flute).
02 “UNBEGRENZT” (“Unlimited”) for ensemble (May 8th 1968).
Recorded August 28th 1969 without previous rehearsal. Duration: 49:07.
Participants: Johannes G. Fritsch (viola with contact microphone and filter),
Michel Portal (clarinet, bass clarinet, tenor saxophone), Carlos R. Alsina
(piano), Jean-Francois Jenny-Clark (double-bass), Jean-Pierre Drouet
(percussion), Vinko Globokar (trombone), Karlheinz Stockhausen (voice, 2
rin [metal cups: Japanese temple instrument], siren-whistle, short-wave
receiver, 1 filter and 2 potentiometers for viola).

cd2

01 “VERBINDUNG” (“Connection”) for ensemble (May 8th 1968).
Recorded August 30th 1969 without previous rehearsal. Duration: 26:00.
Participants: Harald Boje (electronium), Aloys Kontarsky (piano), Johannes
G. Fritsch (viola with contact microphone and filter), Alfred Alings and Rolf
Gehlhaar (tam-tam and percussion with microphone and filter), Jean-Pierre
Drouet (tabla, Indian bells and other percussion instruments), Michel Portal(flute, bass clarinet, tenor saxophone), Jean-François Jenny-Clark (double-
bass), Karlheinz Stockhausen (2 filters and 4 potentiometers for viola and
tam-tam).
02 “TREFFPUNKT” (“Meeting Point”) for ensemble, first version
(May 8th 1968).
Recorded August 27th 1969 without previous rehearsal. Duration of first
version: 10:30.
Participants: Aloys Kontarsky (piano), Rolf Gehlhaar (tam-tam with
microphone and bamboo flute), Carlos R. Alsina (piano), Michel Portal
(tenor saxophone and clarinet), Vinko Globokar (trombone), Karlheinz
Stockhausen (glissando flute, short-wave receiver, 1 filter and 2
potentiometers for tam-tam).
03 “TREFFPUNKT” (“Meeting Point”) for ensemble, second version
(May 8th 1968).
Recorded August 27th 1969 without previous rehearsal. Duration of second
version: 16:07.
Participants: Aloys Kontarsky (piano), Rolf Gehlhaar (tam-tam with
microphone and bamboo flute), Carlos R. Alsina (piano), Michel Portal
(tenor saxophone and clarinet), Vinko Globokar (trombone), Karlheinz
Stockhausen (glissando flute, short-wave receiver, 1 filter and 2
potentiometers for tam-tam).

cd3

01 “NACHTMUSIK” (“Night Music”) for ensemble (May 8th 1968).
Recorded August 31st 1969 without previous rehearsal. Duration: 27:30.
Participants: Harald Boje (electronium), Aloys Kontarsky (piano), Johannes
G. Fritsch (viola with contact microphone and filter), Alfred Alings and Rolf
Gehlhaar (tam-tam with microphone, flexatone, guero, Jew’s harp and other
instruments), Jean-François Jenny-Clark (double-bass), Jean-Pierre Drouet
(drum and other percussion instruments), Karlheinz Stockhausen (short-wave
receiver, cuckoo flute, 2 filters and 4 potentiometers for viola and tam-tam).
02 “ABWARTS” (“Downwards”) for ensemble, first version (May 8th
1968).
Recorded August 28th 1969 without previous rehearsal. Duration first version:
31:30.
Participants: Aloys Kontarsky (piano), Alfred Alings and Rolf Gehlhaar
(tam-tam with microphone and percussion), Carlos R. Alsina (piano), Jean-
Pierre Drouet (percussion), Vinko Globokar (trombone), Karlheinz
Stockhausen (cuckoo flute, bamboo flute, short-wave receiver, glass with
stones, cardboard box with sand and pebbles, 1 filter and 2 potentiometers for
tam-tam).
03 “ABWARTS” (“Downwards”) for ensemble, second version (May
8th 1968).
Recorded August 28th 1969 without previous rehearsal. Duration second
version: 19:07.
Participants: Aloys Kontarsky (piano), Alfred Alings and Rolf Gehlhaar
(tam-tam with microphone and percussion), Carlos R. Alsina (piano), Jean-
Pierre Drouet (percussion), Vinko Globokar (trombone), KarlheinzStockhausen (cuckoo flute, bamboo flute, short-wave receiver, glass with
stones, cardboard box with sand and pebbles, 1 filter and 2 potentiometers for
tam-tam).

cd4

01 “AUFWARTS” (“Upwards”) for ensemble (May 8th 1968).
Recorded August 29th 1969 without previous rehearsal. Duration: 30:30.
Participants: Aloys Kontarsky (piano), Johannes G. Fritsch (viola with
contact microphone and filter), Alfred Alings and Rolf Gehlhaar (tam-tam
and claves), Vinko Globokar (trombone), Karlheinz Stockhausen (filters and
potentiometers for viola and tam-tam, short-wave receiver and 2 rin [Japanese
temple instruments – metal cups]).
02 “INTENSITAT” (“Intensity”) for ensemble (May 9th 1968).
Recorded August 29th 1969 without previous rehearsal. Duration: 32:07.
Participants: Johannes G. Fritsch (viola with contact microphone and filter),
Rolf Gehlhaar (large tam-tam with microphone and filter), Carlos R. Alsina
(piano), Jean-Francois Jenny-Clark (double-bass), Jean-Pierre Drouet
(percussion), Michel Portal (saxophone, clarinet, bass clarinet, flute),
Karlheinz Stockhausen (hammer, nails, block of wood, sand-paper, rasp, file,
4 car-horns, siren-whistle, 2 filters for viola and tam-tam).

cd5

01 “SETZ DIE SEGEL ZUR SONNE” (“Set Sail for the Sun”) for
ensemble (May 9th 1968).
Recorded August 30th 1969. Duration: 34:00.
Participants: Harald Boje (electronium), Alfred Alings and Rolf Gehlhaar
(tam-tam with microphone), Aloys Kontarsky (piano), Carlos R. Alsina
(piano), Jean-Francois Jenny-Clark (double-bass), Johannes G. Fritsch
(viola with contact microphone and filter), Michel Portal (E-flat clarinet,
basset-horn, tenor saxophone, taragod), Jean-Pierre Drouet (percussion),
Vinko Globokar (trombone), Karlheinz Stockhausen (2 filters and 4
potentiometers for viola and tam-tam)
02 “KOMMUNION” (“Communion”) at first for 3, later for 4, 5, 6, 7
players, singers (May 9th 1968).
Recorded August 27th 1969 without previous rehearsal, though six of the eight
players had tried out the text “VERBINDUNG”, presenting a similar
formulation, three months earlier. Duration: 16:37.
Participants: Alfred Alings and Rolf Gehlhaar (tam-tam and percussion with
microphone and filter), Johannes G. Fritsch (viola with contact microphone
and filter), Carlos R. Alsina (Hammond organ and piano), Vinko Globokar
(trombone), Jean-François Jenny-Clark (double-bass), Michel Portal
(saxophone, flute, clarinet), Karlheinz Stockhausen (voice, short-wave
receiver, glass with stones and 2 filters and 4 potentiometers for tam-tam and
viola).

cd6

01 “ES” (“It”), first version (May 10th 1968).
First version recorded August 26th 1969. Duration: 25:30.
Participants: Vinko Globokar (trombone), Carlos R. Alsina (piano), Jean-
François Jenny-Clark (double-bass), Jean-Pierre Drouet (percussion),
Michel Portal (saxophone, flute, clarinet), Karlheinz Stockhausen (voice,
siren-whistle, short-wave radio).
02 “ES” (“It”), second version (May 10th 1968).
Second version recorded August 31st 1969. Duration: 24:37.
Participants: Harald Bojt (electronium), Aloys Kontarsky (piano), Johannes
G. Fritsch (viola with contact microphone and filter), Alfred Alings and Rolf
Gehlhaar (large tam-tam with microphone and filter), Karlheinz
Stockhausen