Johannes Brahms - Violin Sonatas (Leila Schayegh, Jan Schultsz) - 2018

Johannes Brahms - Violin Sonatas ( Leila Schayegh, Jan Schultsz )

Жанр: Classical
Год издания: 2018
Издатель (лейбл): Glossa
Номер по каталогу: B07FPK5WSH
Аудиокодек: OGG
Битрейт аудио: 320 kbps
Продолжительность: 01:09:34
Источник: WEB
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Треклист:
Johannes Brahms ( 1833 - 1897 )Violin Sonata No. 1 in G Major, Op. 78 'Regen'
01. I. Vivace ma non troppo

02. II. Adagio

03. III. Allegro molto moderato
Violin Sonata No. 2 in A major, Op. 100
04. I. Allegro amabile

05. II. Andante tranquillo - Vivace

06. III. Allegro grazioso (quasi andante)
Violin Sonata No. 3 in D minor, Op. 108
07. I. Allegro

08. II. Adagio

09. III. Un poco presto e con sentimento

10. IV. Presto agitato
Violin Sonata in A Minor 'F-A-E' (Dietrich, Schumann, Brahms)
11. I. Allegro in A Minor (Albert Hermann Dietrich)
Исполнители:
Leila Schayegh - violin
Jan Schultsz - piano
Доп. информация: [spoiler]The violin sonatas of Johannes Brahms were the product of much self-critical reflection, and the three surviving works are from a composer mature in years. Composed around the same time as the Violin Concerto (No. 1), the Piano Trio in C Minor and the Cello Sonata No. 2 (Nos. 2 and 3), they also echo some of his songs, such as those written to poems by Klaus Groth. Into this Romantic atmosphere come new performances of the three works on Glossa, played by violinist Leila Schayegh (particularly awarded for her recordings of Bach, Caldara and Benda), teaming up here with pianist Jan Schultsz. Schayegh plays a copy of a period violin, whilst Schultsz uses an original 1879 Streicher instrument. The two players aim to recapture the performing tradition as the composer would have known it, and within which he would have intended his pieces to have been played. Schayegh and Schultsz worked with Clive Brown and Neal Peres Da Costa in their efforts to aim for “the spirit rather than the dead letter of the score” and they pay admirable notice of important interpretative questions for music of this time - and they provide an intuitive musical and emotional response to the lyricism of the first two sonatas and the darker-hued tones of the third, investing these late-nineteenth-century works. (c) Glossa[/spoiler]