Haydn - Piano Trios HOB XV: 14, 18, 21, 26 & 31 2018

Haydn - Piano Trios HOB XV: 14, 18, 21, 26 & 31 (Trio Wanderer)

Жанр: Classical chamber trio
Страна-производитель диска: Made in Germany
Год издания диска: 2018
Издатель (лейбл): Harmonia Mundi
Номер по каталогу: 902321
Дата записи: 2017
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: (lossy + lossless)
Продолжительность: 01:08:33
Источник: релизер
-источник/ник/другое: Bodtje, подарок; Caterina Sforza - работа с cue, доп. сканы
: да
Треклист:
Piano Trio in A-Flat Major, Hob. XV:14:

1. I. Allegro moderato 07:47

2. II. Adagio 05:34

3. III. Rondo. Vivace 05:32
Piano Trio in A Major, Hob. XV:18:

4. I. Allegro moderato 06:47

5. II. Andante 03:35

6. III. Allegro 03:31
Piano Trio in C Major, Hob. XV:21:

7. I. Adagio pastorale. Vivace assai 04:25

8. II. Molto andante 04:19

9. III. Finale. Presto 03:46
Piano Trio in F-Sharp Minor, Hob. XV:26:

10. I. Allegro 04:44

11. II. Adagio cantabile 02:56

12. III. Finale. Tempo di menuetto 04:40
Piano Trio in E-Flat Minor, Hob. XV:27:

13. I. Andante cantabile 07:32

14. II. Allegro [Jacob's Dream] 03:26

Исполнители

Joseph Haydn (1732-1809)
Piano TriosPiano Trio Hob XV 14 in A flat major
Piano Trio Hob XV 18 in A major
Piano Trio Hob XV 21 in C major
Piano Trio Hob XV 26 in F sharp major
Piano Trio Hob XV 31 in E flat minor
[u]Trio Wanderer[/u]:
Jean-Marc Phillips-Varjabédian (violin)
Raphaël Pidoux (violoncello)
Vincent Coq (piano)
Recording Date: January 19, 2017 - January 22, 2017
Recording Location: Teldex Studio Berlin
Audio CD (4 May 2018)

Review

AllMusic Review by James Manheim [-]
Haydn's keyboard trios were written in response to commercial stimuli, and for the most part they work reasonably well on any keyboard instrument. These pieces, however, mostly written in London and all from the 1790s, are genuine piano trios, and they exploit the possibilities of the then-new piano with dynamic contrasts, emphasis on the composer's striking late-life harmonic boldness, and a tendency toward Hungarian rhythmic zip that works better on a piano than on a harpsichord. Sample the syncopations in the finale of the Piano Trio in A major, Hob. 15/18, for an idea. These trios still follow the amateur model of accompanied piano sonatas; the violin breaks off into dialogue, but the cello doubles the piano's left hand for the most part. The music contains both experimentation and passion, however; the piano parts were mostly connected with the British pianist Rebecca Schroeter, with whom the unhappily married Haydn was apparently romantically involved, and the slow movements, like those of the late sonatas for piano alone, go into uncharted harmonic realms. Haydn thought enough of the slow movement of the Piano Trio in F sharp major, Hob. 15/26 (F sharp major being an extremely unusual key in the first place), to adapt it for the slow movement of the Symphony No. 102 in B flat major, Hob. 1/102. Some may prefer period instruments in this music, and Harmonia Mundi -- although it usually gets fine results from Berlin's Teldex Studio -- offers an unsatisfying hollow sound. With these factors, however, the list of cautions ends.