Arresti, Caccini, Colonna, Corelli, Frescobaldi, Philips, Picchi, Pollarolo, Striggio, Zipoli - Il Cembalo Transalpino: Music from the Fitzwilliam Collection 2019

Il Cembalo Transalpino. Music from the Fitzwilliam Collection

Жанр: Classical harpsichord solo
Страна-производитель диска: Made in the EU?
Год издания диска: 2019
Издатель (лейбл): Chandos
Номер по каталогу: CHAN 0819
Дата записи: 2017
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: (lossy + lossless)
Продолжительность: 01:05:05
Источник: релизер
-источник/ник/другое: basso profundo, подарок; Caterina Sforza - тяжелейшая работа с cue, доп. сканы
: да, полный web jpeg буклет, 35 страниц + два web pdf буклета
Треклист:

01. Sabbatini Galeazzo: Fitzwilliam Virginal Book, Vol. 1 (Excerpts): No. 99, Praeludium 2:30

02. Philips, P: Fitzwilliam Virginal Book, Vol. 1 (Excerpts): No. 70, Tirsi, di Luca Marenzio 2:50
Tisdale’s Virginal Book:

03. Passamezzo pavana 2:22

04. Galliarda passamezzo 2:06

05. Arresti: 18 Sonate da organo di varii autori (Excerpts): No. 18, Aresti 1:59

06. Philips, P: Fitzwilliam Virginal Book, Vol. 1 (Excerpts): No. 71, Freno 3:10

07. Colonna, G P: 18 Sonate da organo di varii autori (Excerpts): No. 7, Colonna di Bologna 2:57

08. Caccini, G: Fitzwilliam Virginal Book, Vol. 1 (Excerpts): No. 82, Amarilli 4:07

09. Frescobaldi: Toccate e partite d'intavolatura, Libro 2: No. 7, Toccata in D Minor, F 3.07 3:09
Philips, P: Fitzwilliam Virginal Book, Vol. 1 (Excerpts):

10. No. 76, Passamezzo pavana 7:56

11. No. 77, Galliarda passamezzo 4:48

12. Striggio: Fitzwilliam Virginal Book, Vol. 1 (Excerpts): No. 78, Chi farà fede al cielo 5:26

13. Pollarolo: 18 Sonate da organo di varii autori (Excerpts): No. 2, Pollaroli di Venezia 2:53

14. Philips, P: Fitzwilliam Virginal Book, Vol. 1 (Excerpts): No. 72, Così morirò 1:54

15. Picchi: Fitzwilliam Virginal Book, Vol. 1 (Excerpts): No. 95, Toccata 3:54

16. Zipoli: Sonate d'Intavolatura per organo e cimbalo, Op. 1, Pt. 1: No. 11, Canzona in G Minor 3:10
Corelli: Violin Sonata in D Minor, Op. 5 No. 7 (Arr. for Harpsichord) 9:54

17. I. Preludio. Vivace 2:18

18. II. Corrente. Allegro 3:26

19. III. Sarabanda. Largo 1:35

20. IV. Giga. Allegro 2:35

Исполнители

Il Cembalo Transalpino: Music from the Fitzwilliam Collection Galeazzo Sabbatini (1597-1662)
Prelude
Luca Marenzio (c1553-1599)
Tirsi morir volea
Anonymous
Passamezzo Pavan & Galliard
Giulio Cesare Arresti (1619-1701)
Sonata in A major
Luca Marenzio (c1553-1599)
Frenò Tirsi il desio
Giovanni Paolo Colonna (1637-1695)
Sonata in D minor
Giulio Caccini (1551-1618)
Amarilli, mia Bella
Girolamo Frescobaldi (1583-1643)
Toccata settima
Peter Philips (c1560-1628)
Passamezzo Pavan & Galliard
Alessandro Striggio (c1536-1592)
Chi farà fede al cielo
Carlo Francesco Pollarolo (c1653-1723)
Sonata in D minor
Luca Marenzio (c1553-1599)
Così morirò
Giovanni Picchi (1571-1643)
Toccata
Domenico Zipoli (1688-1726)
Canzona in G minor
Arcangelo Corelli (1653-1713)
Sonata, Op.5 No.7
Sophie Yates (harpsichord)
Recording venue The Master’s Lodge, Downing College, University of Cambridge;

14-16 November 2017
Release Date: 3rd May 2019

About

All the music in this programme comes from the Fitzwilliam Museum, Cambridge, and most of it was collected by its founder, Richard, Seventh Viscount Fitzwilliam of Merrion. A polymath, lover of music, amateur composer and harpsichordist, musically active from about 1760 until his death, Fitzwilliam created a legacy of exceptional importance to English musical culture. The recording features the Boni harpsichord from the Fitzwilliam Collection, was originally made by Giovanni Battista Boni who worked in Cortona in Tuscany. In some ways it is conventional for its time, having a slab sawn cypress soundboard and light cypress case, but its original set-up was a highly unusual one, with three sets of strings at the same 8 ft pitch. During a previous restoration, by Trevor Beckerleg in 1975, the third register, which had been out of use, was re-instated and this gives the player more resources than does the usual Italian harpsichord: both the front and back rows of jacks pluck the same set of strings but in different places, which gives them a distinctly different timbre, and the various combinations of the three registers provide the player with five distinct sounds to choose from.