van Eyck, Handel, J.S.Bach, Sammartini, Marais, F.Couperin, Purcell, Castello, Tollett, Naudot - Baroque Journey 2019

van Eyck, Handel, J.S.Bach, Sammartini, Marais, F.Couperin, Purcell, Castello, Tollett, Naudot - Baroque Journey

Жанр: Classical flute concerto
Страна-производитель диска: Made in the EU
Год издания диска: 2019
Издатель (лейбл): Decca
Номер по каталогу: 00289 483 3954
Дата записи: 2018
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: (lossy + lossless)
Продолжительность: 01:06:51
Источник: релизер
-источник/ник/другое: basso profundo, подарок; Caterina Sforza - работа с cue, доп. сканы
: да
Треклист:
Jacob van Eyck (1590 - 1657)
Der Fluyten Lust-Hof

1. 130. Lavolette
George Frideric Handel (1685 - 1759)
Solomon HWV 67

2. Act 3: The Arrival of the Queen of Sheba
Johann Sebastian Bach (1685 - 1750)
Oboe Concerto in D Minor, BWV 1059R

3. I. Allegro

4. II. Adagio

5. III. Presto
Matthäus-Passion, BWV 244 / Zweiter Teil

6. 39. 'Erbarme dich'
Orchestral Suite No. 2 in B Minor, BWV 1067

7. VII. Badinerie
Dario Castello (1602 - 1631)
Sonate concertate in stil moderno à 2 e 3 voci, Libro primo

8. Sonata seconda
Giuseppe Sammartini (1700 - 1775)
Recorder Concerto in F Major

9. I. Allegro

10. II. Siciliano

11. III. Allegro assai
Marin Marais (1656 - 1728)

12. Couplets de folies (Arr. Lucie Horsch for Recorder & Lute)
François Couperin (1668 - 1733)
Troisième livre de Pièces de clavecin

13. Le Rossignol en Amour
Jacques-Christophe Naudot (1690 - 1762)
Recorder Concerto in C Major, Op. 17, No. 1

14. I. Gaiement

15. II. Lentement

16. III. Légèrement
Thomas Tollett (? - 1696)

17. Divisions on a Ground
Henry Purcell (1659 - 1695)
Dido and Aeneas, Z. 626

18. Dido's Lament
Jacob van Eyck
Der Fluyten Lust-Hof

19. Engels nachtegaeltje

Исполнители

Baroque JourneyJacob van Eyck (1590-1657)
Der Fluyten Lust-Hof: Lavolette
Georg Friedrich Händel (1685-1759)
Solomon HWV 67: The Arrival of the Queen of Sheba
Johann Sebastian Bach (1685-1750)
Oboe Concerto in D Minor, BWV 1059R
St. Matthew Passion, BWV 244: Erbarme dich
Suite no. 2 in B minor, BWV 1067: Badinerie
Dario Castello (1602-1631)
Sonata Seconda
Giuseppe Baldassare Sammartini (1700-1775)
Concerto in F major
Marin Marais (1656-1728)
Couplets de folies
François Couperin (1668-1733)
Troisième livre de pièces de clavecin: Le Rossignol en Amour
Jacques-Christophe Naudot (1690-1762)
Concerto in C major, op. 17 no. 1
Thomas Tollett (d1696)
Divisions on a Ground
Henry Purcell (1659-1695)
Dido and Aeneas, Z626: Dido’s Lament
Jacob van Eyck (1590-1657)
Der Fluyten Lust-Hof: Engels nachtegaeltje
Lucie Horsch (recorders)
[u]The Academy of Ancient Music[/u]
Charlotte Barbour-Condini (recorders in 02, 17)
Thomas Dunford (lute in 08, 12, 13)
Bojan Čičić (leader & director)
Recording Location: St Jude's, Hampstead, London
Release Date: February 15, 2019
Release Date: 22nd Feb 2019
Audio CD (March 22, 2019)

About

The astonishing 19-year-old Dutch recorder player returns to takes us on a journey around Baroque Europe, showcasing the most virtuosic music from her native Netherlands, as well as Germany, Italy, France, Spain and England Highlights from the album include Handel’s Arrival of the Queen of Sheba, Bach’s Badinerie and the world premiere recording of a concerto by Jacques-Christophe Naudot and Dido’s Lament by Purcell
For her second album, Lucie is joined by the Academy of Ancient Music who are making their first DECCA recording in over 20 years!

Review

AllMusic Review by James Manheim [-]
The Dutch recorder player Lucie Horsch gained attention in her early teens on Dutch television as a youth star, and her first album, 2016's Vivaldi, seemed to promise great things. That promise has been fulfilled in 2019 with Baroque Journey, whose title refers both to temporal and national ranges. Beginning and ending with entrancing excerpts from the Dutch recorder collection Der Fluyten Lust-Hof, Horsch moves through German, Italian, and French repertory of various periods. The Bach Oboe Concerto in D minor, BWV 1059R, a work of uncertain provenance anyhow, works wonderfully in a recorder arrangement, and there are genuine and rarely heard recorder concertos by Giuseppe Sammartini and Jacques-Christophe Naudot. Horsch's tonal stability in slower music (she does a gorgeous recorder 'When I am laid in earth') is exceeded only by her liveliness and precision in the fast movements. And best of all are the variation sets, liquid and altogether captivating. Sample the 14e Ordre from the Troisième Livre of Couperin's Pièces de clavecin (a work that you'd hardly think would work in a recorder-and-lute arrangement), and you'll be hearing nightingales for the rest of the evening. In the concertos, Horsch gets expert support from the Academy of Ancient Music under Bojan Čičić, supplying quiet, graceful accompaniment that doesn't overwhelm Horsch and lets her shine. Right now, Horsch is sounding like the next Michala Petri, or maybe even more than that.