Mozart - Piano Concerto No.21 in C K467 ; Piano Sonata No.10 in C, K330 ; Fantasy in C minor, K475 2018

Mozart - Piano Concerto No.21 (Yeol Eum Son)

Жанр: Classical piano concerto
Страна-производитель диска: Made in the EU
Год издания диска: 2018
Издатель (лейбл): Onyx
Номер по каталогу: ONYX4186
Дата записи: 2016
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: (lossy + lossless)
Продолжительность: 01:10:12
Источник: релизер
-источник/ник/другое: basso profundo, подарок; Caterina Sforza - доп. сканы
: да
Треклист:
Piano Concerto No.21 in C K467

1. I. (Allegro maestoso)

2. II. Andante

3. III. Allegro vivace assai

4. Variations in C on ‘Lison dormait’ K264
Piano Sonata No.10 in C K330

5. I. Allegro moderato

6. II. Andante cantabile

7. III. Allegretto

8. Fantasy in C minor K475

Исполнители

Wolfgang Amadeus Mozart (1756-1791)
Piano Concerto No.21 in C, K467Yeol Eum Son (piano)
[u]Academy of St Martin in the Fields[/u]
Neville Marriner (cond.)
Variations in C on 'Lison dormait', K264
Piano Sonata No.10 in C, K330
Fantasy in C minor, K475
Yeol Eum Son (piano)
Recording Date: June 30, 2016
Recording Location: AIR Studio, London
Audio CD (20 April 2018)

About

A double Second Prize winner at the Tchaikovsky International Piano Competition in 2011 (To my ears she gave the more exciting interpretation of the mandatory Tchaikovsky First Piano Concerto: a blistering reading that left me gasping.
I would have given her gold, not silver’ The Times, London) and at the 13th Van Cliburn International Piano Competition in 2009, Yeol Eum Son’s graceful interpretations, crystalline touch and versatile, thrilling performances have caught the attention of audiences worldwide.
Praised for her widely eclectic concerti repertoire, ranging from Bach and all Mozart to Shchedrin and Gershwin, her recent concerto highlights include appearances with the Orchestre Philharmonique de Radio France and Mikko Franck, Mariinsky Theatre Orchestra under Valery Gergiev, Seoul Philharmonic and a European tour with KBS Symphony Orchestra.
In the 2017-18 season, Yeol Eum makes her UK debuts in Birmingham with the CBSO (Mozart Piano Concerto No 21) and London’s Cadogan Hall with the Academy of St. Martin in the Fields (Mozart Piano Concertos Nos. 8 & 21) on 20 April.
This recording was the last made by Sir Neville Marriner.

Product Description

A double Second Prize winner at the Tchaikovsky International Piano Competition in 2011 (To my ears she gave the more exciting interpretation of the mandatory Tchaikovsky First Piano Concerto: a blistering reading that left me gasping. I would have given her gold, not silver The Times, London) and at the 13th Van Cliburn International Piano Competition in 2009, Yeol Eum Sons graceful interpretations, crystalline touch and versatile, thrilling performances have caught the attention of audiences worldwide. Praised for her widely eclectic concerti repertoire, ranging from Bach and all Mozart to Shchedrin and Gershwin, her recent concerto highlights include appearances with the Orchestre Philharmonique de Radio France and Mikko Franck, Mariinsky Theatre Orchestra under Valery Gergiev, Seoul Philharmonic and a European tour with KBS Symphony Orchestra. In the 2017-18 season, Yeol Eum makes her UK debuts in Birmingham with the CBSO (Mozart Piano Concerto No 21) and Londons Cadogan Hall with the Academy of St. Martin in the Fields (Mozart Piano Concertos Nos. 8 & 21) on 20 April. This recording was the last made by Sir Neville Marriner.

Review

AllMusic Review by James Manheim [-]
The Korean pianist Yeol Eum Son has attracted admirers in venues of multiple types: in the buttoned-down world of the classical music competition, and in the broad popular arena of YouTube, where a video of Son performing the Mozart Piano Concerto No. 21 in C major, K. 467, has attracted some ten million views. Son chooses that concerto for her Mozart debut, and here she has the added advantage of backing by Sir Neville Marriner and the Academy of St Martin-in-the-Fields. This was, in fact, the last recording made by Marriner before his death in 2016, and many will want it for that reason alone: his deliberate tempos, carefully setting the stage for the brilliant young Korean, are worth the price of admission in themselves. The star of the show, however, is Son, and the elusive quality that made classical-wary YouTubers flock to her is fully in evidence. There are more individualistic Mozart players, but Son has a unique way of considering these works in great detail and yet the music seems to flow out of her spontaneously. She's at her best in the concerto (sample the opening movement), where Marriner grasps what she's about and frames her to perfection. But all the music, including the little-played Variations for piano on 'Lison dormait', K. 264, has the same compelling, inevitable quality. Son's competition training shows in the way she cultivates a wide range of attack, from edgy to liquid, and in a certain formality. But she's clearly got the stuff to reach a large public directly, and this album is an exciting step in her emergence.