Antonio Vivaldi - Vivaldi x2. Double Concertos for Oboes, Horns, Violin & Cello, Oboe & Bassoon 2018

Vivaldi x2. Double Concertos for Oboes, Horns, Violin & Cello, Oboe & Bassoon

Жанр: Classical concerto
Страна-производитель диска: Made in France
Год издания диска: 2018
Издатель (лейбл): Avie Records
Номер по каталогу: AV2392
Дата записи: 2018
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: (lossy + lossless)
Продолжительность: 01:15:32
Источник: релизер
-источник/ник/другое: Bodtje, подарок; Caterina Sforza - работа с cue, доп. сканы
: да
Треклист:
Concerto for 2 horns, strings & continuo in F, RV 539

1. I. Allegro (3.09)

2. II. Larghetto (2.29)

3. III. Allegro (2.42)
Concerto for 2 oboes, strings & continuo in D minor, RV 535

4. I. Largo (1.14)

5. II. Allegro (2.38)

6. III. Largo (2.35)

7. IV. Allegro molto (3.02)

Concerto for violin, cello, strings & continuo in A, RV 546

8. I. Allegro (3.26)

9. II. Andante (3.09)

10. III. Allegro (3.15)

Concerto for oboe, bassoon, strings & continuo in G, RV 545

11. I. Allegro (4.08)

12. II. Largo (2.47)

13. III. Allegro non molto (3.47)
Concerto for 2 horns, strings & continuo in F, RV 538

14. I. Allegro (3.21)

15. II. Largo (2.40)

16. III. Allegro non molto (3.17)
Concerto for violin, cello, strings & continuo in B flat, RV 547

17. I. Allegro (3.58)

18. II. Andante (2.01)

19. III. Allegro molto (3.07)
Concerto for 2 oboes, strings & continuo in A minor, RV 536

20. I. Allegro (2.35)

21. II. Largo (2.08)

22. III. Allegro (1.55)
Concerto per S.A.S.I.S.P.G.M.D.G.S.M.B. for violin, cello, 2 oboes, 2 horns, strings & continuo in F, RV 574

23. I. Allegro (4.39)

24. II. Adagio (3.17)

25. III. Allegro (3.57)

Исполнители

Antonio Vivaldi (1678-1741)
Double Concertos for Oboes, Horns, Violin & Cello, Oboe & BassoonConcerto in F RV 539 for 2 horns, strings & continuo
Concerto in D minor RV 535 for 2 oboes, strings & continuo
Concerto in A RV 546 for violin, cello, strings & continuo
Concerto in G RV 545 for oboe, bassoon, strings & continuo
Concerto in F RV 538 for 2 horns, strings & continuo
Concerto in B flat RV 547 for violin, cello, strings & continuo
Concerto in A minor RV 536 for 2 oboes, string & continuo
Concerto per S.A.S.I.S.P.G.M.D.G.S.M.B. in F RV 574 for 2 horns, 2 oboes, bassoon, violin, cello, strings & continuo
[u]La Serenissima[/u] (soloists):
Adrian Chandler (director & solo violin)
Anneke Scott & Jocelyn Lightfoot (solo horns)
Rachel Chaplin & Mark Baigent (solo oboes)
Vladimir Waltham (solo cello), Peter Whelan (solo bassoon)
Recorded 12 - 15 February 2018, Cedars Hall, Wells, Somerset, UK
Release Date: 20th Jul 2018

Review

AllMusic Review by James Manheim [-]
The Vivaldi recordings by Adrian Chandler and his British period instrument ensemble La Serenissima, named after the nickname of the Venetian Republic and specializing in its music, are breaking new ground. Give this one a try if you haven't heard the group before: it's wonderful. Chandler focuses on double concertos, which Vivaldi produced in profusion for his players as the Osepale della Pietà, but which have been largely neglected on recordings. Chandler digs up unusual and interesting pieces; there isn't an overplayed item in the bunch. And the big news is his overall style: 180 degrees removed from muscular Italian Vivaldi approaches derived from operatic styles. For Chandler, the Vivaldi concerto is a playful, subtle affair, with soloists neither blending into the ensemble, as in some small-group readings, nor standing up to it in big contrasts. Instead, Chandler's soloists react flexibly to the orchestral tutti, catching the variety in Vivaldi's solo treatments. The work on Chandler's period horn and wind players is notable; hornists Anneke Scott and Jocelyn Lightfoot tame the temperamental natural horn and produce gentle sounds that fit perfectly with Chandler's approach. Sample one of the two-oboe concerts, such as the first movement of the Concerto in D minor, RV 535, or the finale of one of a pair of violin-and-cello concertos included, the Concerto in B flat major, RV 547, to hear how Chandler and La Serenissima weave the solo line into the orchestral texture rather than setting it apart. Also included is a notorious puzzle, the Concerto S.A.S.I.S.P.G.M.D.G.S.M.B. in F major for two horns, two oboes, bassoon, violin, cello, strings, and continuo, RV 574. This work has been the subject of speculation because of its title (it may stand for Per Sua Altezza Serenissima il Signor Principe Giuseppe. Maria de' Gonzaga Signor Mio Benignissimo, but then again maybe not), but its real interest lies in the truly virtuosic mixing of the solo parts, and in this performance, where Chandler has explored just that aspect of Vivaldi's double concertos on the program up to that point, and it makes an entrancing finale. Bravo!