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Vivaldi - The Young Vivaldi: RV 820 and Other Rare Early Works 2015

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Vivaldi - The Young Vivaldi: RV 820 and Other Rare Early Works 2015
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The Young Vivaldi: RV 820 and Other Rare Early Works

Жанр: Classical concerto
Страна-производитель диска: Made in the EU
Год издания диска: 2015
Издатель (лейбл): Sony Music Classical
Номер по каталогу: 88875127852
Дата записи: 2015
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: (lossy + lossless)
Продолжительность: 01:09:21
Источник: релизер
-источник/ник/другое: DutchPublisher from Meeting Music; Caterina Sforza - работа с cue, доп. сканы
: да

Треклист

Concerto in D minor RV 813 for violin, strings and b.c. (9:44)
(ms. Wien, E. M.)

1. Allegro 1:10

2. [Adagio] 0:45

3. Allegro-Adagio 2:45

4. Andante e piano 1:36

5. Largo 0:41

6. Allegro 2:50
Sonata in C major RV 779 for violin, oboe, organ and chalumeau (14:24)
(ms. Wien, E. M.)

7. Andante 3:52

8. Allegro 4:06

9. Largo cantabile 2:15

10. Allegro 4:07
Concerto in A minor RV 522a for 2 violins, strings and b.c. (8:50)
(World Premiere)

11. Allegro 3:09

12. [Adagio] 3:19

13. [Allegro] 2:21
Sonata in G major RV 820 for violin, cello and b.c. (12:42)
(World Premiere)

14. [Allegro] 2:21

15. [Adagio] 2:04

16. [Violin] Solo: [Presto-Adagio] 0:49

17. [Allegro] 1:34

18. Cello Solo: Adagio 0:55

19. [Allegro] 2:01

20. [Allegro] 2:52
Sonata in F major RV 52 for recorder and b.c. (6:00)
(ms. Venezia, Querini-Stampalia)

21. [Siciliana] 2:21

22. Allemanda 2:30

23. Aria di Giga Allegro 1:09
Sonata in A minor RV Anh. 107a for 2 violins, viola and b.c. (9:26)
(ms. Leuwen; World Premiere)

24. Allegro 1:34

25. Adagio come sta 1:14

26. Allegro 1:55

27. Adagio 2:40

28. Allegro assai 1:59
Sonata in C major RV 60 for 2 violins and b.c. (8:41)
(ms. Wiesentheid)

29. Allegro 0:58

30. Adagio 0:53

31. Allegro 2:00

32. Adagio 2:28

33. Allegro 2:12

Исполнители

Antonio Vivaldi (1678-1741)
The Young VivaldiThe Young Vivaldi: RV 820 and Other Rare Early Works
[u]Modo Antiquo[/u]:
(On period instruments)
Paolo Pollastri, oboe
Ugo Galasso, chalumeau
Enrico Casazza, solo violin (RV 813, 779, 522a, 820)
Raffaele Tiseo and Paolo Cantamessa, violins
(soloists in RV Anh. 107a, RV 60)
Daniele Del Lungo, violin and viola
Pasquale Lepore, viola
Bettina Hoffmann, cello
Nicola Domeniconi, double-bass
Simone Vallerotonda, theorbo and guitar
Giulia Nuti, organ and harpsichord
Federico Maria Sardelli, recorder and conductor
Recording Date: February 10, 2015 - February 12, 2015
Recording Location: Teatro della Pergola, Florence, Italy
Release Date: December 18, 2015

Review

AllMusic Review by James Manheim [-]
For Vivaldi and other Baroque composers, it has often been difficult to assign works accurately to chronological periods, but this has become easier in Vivaldi's case as works are discovered and manuscripts analyzed. The Italian historical-performance group Modo Antiquo under Federico Maria Sardelli therefore deserves kudos for this collection of works by the young Vivaldi, especially inasmuch as one of the works here, the Sonata in G major for violin, cello, and continuo, RV 820, has been authenticated and dated by the conductor. That work was copied out shortly after 1700 and thus seems to have been a product of Vivaldi's early twenties and to have been his earliest surviving chamber work. The notes by Michael Talbot correctly suggest that the seven-section work ('movement' is not quite the right word) looks back to models from Corelli and composers before that, but it is spilling beyond those boundaries. In general these works share an experimental quality that certainly came to fruition in The Four Seasons, and it's fascinating to hear the well-known Concerto in A minor for two violins and orchestra, RV 522a, in this context. However, it is disappointing to hear that concerto and the opening Concerto in D minor, RV 813 played in wan one-instrument-per-part readings; most of these works date from Vivaldi's period of employment at the Ospedale della Pietà dormitory for out-of-wedlock children, whose orchestra is reported to have had dozens of members. This doesn't matter, however, in the chamber pieces, which are crisply and attractively done with an organ continuo that breaks out into Brandenburg No. 5-like solos. The blistering Recorder Sonata in F major, RV 52, is worth the price of admission in itself. A 'late Vivaldi' album, from these forces or others, would also be something worth hearing. This beginning with the chronological concept is recommended.

Product Description
This new album from Modo Antiquo contains three World premieres, the Sonata in G major RV 820, one of Vivaldi earliest known works, the Concerto in A minor RV 522a and the Sonata in A minor RV Anh. 107a. Also features four early compositions of Vivaldi that are very rare in recorded form. The result is something really unique and precious: on this recording we can hear ‘Vivaldi before Vivaldi’: a Vivaldi who has not yet reached what we recognize as his signature style. The ensemble Modo Antiquo, playing on period instruments, gives a brilliant philological interpretation of Vivaldi’s music. It stands as the only Baroque ensemble to receive two nominations for the Grammy Awards in 1997 (Concerti con molti Istromenti by Vivaldi) and in 2000 (Concerti grossi op. VI by Corelli). Founded by Federico Maria Sardelli in 1987, the Baroque Orchestra Modo Antiquo brings together musicians sharing instrumental virtuosity and in-depth knowledge of languages and historical performance styles. Modo Antiquo is characterized by a solid but philological interpretation, aware but far from contemporary sensational fashions. Performing in the most important Festivals and theatres all over the world, its discography counts more than forty titles including many world premiere recordings, published by Naïve, Deutsche Grammophon, Brilliant, Tactus. It stands as the only Baroque ensemble to receive two nominations for the Grammy Awards in 1997 (Concerti con molti Istromenti by Vivaldi) and in 2000 (Concerti grossi op. VI by Corelli). It is protagonist in the renaissance of Vivaldi operas, with premiere recordings and staging of the following operas: Arsilda, Tito Manlio, Orlando Furioso RV 728, Orlando Furioso RV 819, Atenaide, Motezuma, Tigrane. Engaged in the popularization of rare and unpublished Vivaldi works, Modo Antiquo records systematically the latest discoveries in World premiere.

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