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Monteverdi - Il ritorno dUlisse in patria / Монтеверди - Возвращение Улисса на родину 2018

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Monteverdi - Il ritorno dUlisse in patria / Монтеверди - Возвращение Улисса на родину 2018
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Monteverdi - Il ritorno d'Ulisse in patria / Монтеверди - Возвращение Улисса на родину

Жанр: Classical opera
Страна-производитель диска: Manufactured in Italy
Год издания диска: 2018
Издатель (лейбл): Soli Deo Gloria ‎
Номер по каталогу: SDG730
Дата записи: 2017
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: (lossy + lossless)
Продолжительность: 74’46” + 71’28” + 38’56” / 185’10” / 03:05:10
Источник: релизер
-источник/ник/другое: Roy Movrich, подарок; Caterina Sforza - доп. сканы (cue не трогал)
: да, авторские сканы tif + web pdf буклет

Треклист

CD1

Act 1
1-1 Prologue Mortal Cosa Son Io: Humana Fragilità, Tempo, Fortuna, Amore 9:01

1-2 Scene I Di Misera Regina: Penelope, Ericlea 10:57

1-3 Scene II Duri, E Penosi: Melanto, Eurimaco 10:54

1-4 Scene IV-V Superbo É L’huom: Nettuno, Giove 7:23

1-5 Scene VI In Questo Basso Mondo: Coro Di Feaci, Nettuno 3:13

1-6 Scene VII Dormo Ancora, O Son Desto?: Ulisse 3:52

1-7 Scene VIII Cara E Lieta Gioventù: Minerva, Ulisse, Coro Di Ninfe 12:23

1-8 Scene IX Tu D’Aretusa Al Fonte Intanto Vanne: Minerva, Ulisse 1:57

1-9 Scene X Donate Un Giorno, O Dèi: Penelope, Melanto 8:23

1-10 Scene XI Come Mal Si Salva Un Regio Ammanto: Eumete 1:50

1-11 Scene XII Pastor D’Armenti Può: Iro, Eumete 1:52

1-12 Scene XIII Ulisse Generoso: Eumete, Ulisse 3:00

CD2

Act 2
2-1 Sinfonia 0:30

2-2 Scene I Lieto Cammino: Telemaco, Minerva 2:01

2-3 Scene II O Gran Figlio D’Ulisse: Eumete, Ulisse, Telemaco 5:43

2-4 Scene III Che Veggio, Oimé, Che Miro?: Telemaco, Ulisse 7:21

2-5 Scene IV Eurimaco, La Donna: Melanto, Eurimaco 2:32

2-6 Scene V Sono L’Altre Regine: Antinoo, Anfinomo, Pisandro, Penelope 7:01

2-7 Scene VI All’Allegrezze Dunque: Pisandro, Anfinomo, Antinoo, Coro 5:13

2-8 Scene VII Apportator D’Alte Novelle Vengo: Eumete, Penelope 1:12

2-9 Scene VIII Compagni, Udiste?: Antinoo, Anfinomo, Pisandro, Eurimaco 6:31

2-10 Scene IX Perir Non Può Chi Tien Per Scorta Il Cielo: Ulisse, Minerva 3:05

2-11 Scene X Io Vidi, O Pelegrin, De’ Proci Amanti: Eumete, Ulisse 2:02

2-12 Scene XI Del Mio Lungo Vïaggio I Torti Errori: Telemaco, Penelope 4:55

2-13 Scene XII-XIII Sempre, Villano Eumete: Antinoo, Eumete, Iro, Ulisse, Telemaco, Penelope, Pisandro, Anfinomo 23:19

CD3

Act 3
3-1 Scene I O Dolor, O Martir Che L’Alma Attrista: Iro 7:07

3-2 Scene IV Forza D’Occulto Affetto: Eumete, Penelope 2:11

3-3 Scene V È Saggio Eumete, É Saggio: Telemaco, Penelope 2:28

3-4 Scene VI Fiamma È L’Ira, O Gran Dea: Minerva, Giunone 3:28

3-5 Scene VII Gran Giove: Giunone, Giove, Nettuno, Minerva, Coro In Cielo, Coro Marittimo 9:30

3-6 Scene VIII Ericlea, Che Vuoi Far?: Ericlea 3:25

3-7 Scene IX Ogni Vostra Ragion Sen Porta ’l Vento: Penelope, Telemaco, Eumete 0:52

3-8 Scene X O Delle Mie Fatiche: Ulisse, Penelope, Ericlea 9:54

[/spoiler]

Исполнители

Claudio Monteverdi (1567-1643)
Il ritorno d'Ulisse in patriaUlisse - Furio Zanasi
Penelope - Lucile Richardot
Telemaco - Krystian Adam
Minerva / Fortuna - Hana Blažíková
Tempo / Nettuno / Antinoo - Gianluca Buratto
Pisandro - Michał Czerniawski
Anfinomo - Gareth Treseder
Eurimaco - Zachary Wilder
Melanto - Anna Dennis
Giove - John Taylor Ward
Giunone - Francesca Boncompagni
Iro - Robert Burt
Eumete - Francisco Fernández-Rueda
Humana Fragilità - Carlo Vistoli
Amore - Silvia Frigato
Ericlea - Francesca Biliotti
[u]Monteverdi Choir
English Baroque Soloists[/u]
CONDUCTOR: John Eliot Gardiner
Recorded live on 7, 8 and 9 September 2017 at The National Forum of Music in Wroclaw, Poland
Release Date: October 26, 2018

[/spoiler]
[/spoiler]

Product Description

Monteverdi's great opera is a celebration of unwavering devotion, conveyed in some of the composers most poignant, heart-breaking music. After two brutal decades of war, the weary Ulysses is washed up on the rocky shore of his home island of Ithaca. There, he discovers the hordes of depraved admirers who have beseiged his faithful wife Penelope in his 20-year absence and launches into battle to win back her love. Monteverdi's opera is a celebration of unwavering devotion, conveyed in some of the composers most poignant, heartbreaking music. Sir John Eliot Gardiner leads an exemplary cast of world-class singers alongside the Monteverdi Choir and English Baroque Soloists in this live recording from The National Forum of Music in Wrocaw, Poland part of their critically acclaimed Monteverdi 450 tour in 2017.

Review

AllMusic Review by James Manheim [-]
Il ritorno d'Ulisse in patria, or The Return of Ulysses to His Homeland, is not performed nearly as often as Monteverdi's two other surviving operas, Orfeo and L'incoronazione di Poppea, and for several decades its authenticity was questioned. Yet it has begun to catch on, and it seems to contain many of the coming developments of opera in miniature at one point or another. The story, as the title suggests, comes from the later stages of Homer's Odyssey, as Ulysses returns home from the wars to Ithaca, where he finds suitors buzzing around his faithful Penelope. The requisite heroics are carried out by Ulysses and his son, Telemachus, but they're surrounded by a variety of scenes with comic, rustic characters that seem to anticipate the pastoral side of later Baroque opera (although it's not clear whether the opera was performed again after its initial Venetian run). The whole thing is something of a mixed bag, which is not in itself a problem. One key is to perform the three-act version, which happens here: John Eliot Gardiner and his Monteverdi Choir and English Baroque Soloists started out a 2017 tour performing the original, semi-staged, five-act version, but apparently relented and turned to the shorter revision. Another important trait of this recording is that Gardiner keeps things moving; his chorus, shaking off a decade of pious Bach performances, is lively and fun. The singers, with the exception of the strained Lucile Richardot as Penelope, are briskly effective. Sample the giant finale of Act 2, which gives you an idea of most of what goes on: the richly melodic solos and duets, the action, the comedy. The recording was made at the National Forum of Music in Wroclaw, Poland, and it's as clear as could be desired, and Gardiner's booklet notes continue to be models of compelling personal response to the music.

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