Charpentier, A.Gabrieli, Dowland, Gibbons, Legrenzi, Araujo, Cabanilles, Scheidt - Musica Nova. Harmonie des Nations 1500-1700 2018

Musica Nova - Harmonie des Nations, 1500-1700

Жанр: Classical orchestral
Страна-производитель диска: Made in Austria
Год издания диска: 2018
Издатель (лейбл): Alia Vox
Номер по каталогу: AVSA9926
Дата записи: 2017 или 2018
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: (lossy + lossless)
Продолжительность: 77’29” / 01:17:29
Источник: релизер
-источник/ник/другое: Roy Movrich, подарок; Caterina Sforza - доп. сканы (cue не трогал)
: да, авторские сканы tif + web pdf буклет
Треклист:

1 Pavana del Re

2 Galliarda la Traditora

3 El Todescho

4 Saltarello

5 Ricercare XIV - De Pacem
Composed By - Hieronimus Parabosco

6 Capriccio V
Composed By - Giovanni Battista Grillo

7 Ricercar VII
Composed By - Andrea Gabrieli

8 Lacrimae Pavan
Composed By - John Dowland

9 The King Of Denmark Galliard
Composed By - John Dowland

10 In Nomine A 4
Composed By - Orlando Gibbons

11 Ein Schottisch Tanz
Composed By - William Brade
Samuel Scheidt

12 Paduan V

13 Courant Dolorosa IX

14 Allemande XVI

15 Galliard Bataglia XXI

16 Passacaglia A 4
Composed By - Biagio Marini

17 Sonata Sesta A 4 Viole Da Gamba
Composed By - Giovanni Legrenzi
Marc Antoine Charpentier

18 Prelude

19 Allemande

20 Rondeau

21 Gigue Anglaise

22 Gigue Francaise

23 Passecaille

24 Folia
Composed By - Pedro De San Lorenzo

25 Consonancias de Primo Tom
Composed By - Pedro de Araújo

26 Corrente Italiana
Composed By - Juan Cabanilles

Исполнители

Musica Nova
Harmonie des Nations, 1500-1700Anonymous
Pavana del Re
Galliarda la Traditora
El Todescho
Saltarello
Girolamo Parabosco (c1524-1557)
Ricercare XIV 'Da Pacem'
Giovanni Battista Grillo (?-1622)
Capriccio V
Andrea Gabrieli (c1510-1586)
Ricercar VII
John Dowland (1563-1626)
Lacrimae Pavan
The King of Denmark Galliard
Orlando Gibbons (1583-1625)
In Nomine a 4
William Brade (1560-1630)
Ein Schottisch Tanz
Samuel Scheidt (1587-1654)
Paduan V
Courant Dolorosa IX
Allemande XVI
Galliard Battaglia XXI
Biagio Marini (1594-1663)
Passacaglia à 4
Giovanni Legrenzi (1626-1690)
Sonata sesta a 4 Viole da gamba
Marc-Antoine Charpentier (1643-1704)
Concert pour quatre parties de Violes (H.545)
Pablo Bruna (1611-1679)
Folia
Pedro de Araújo (fl1662-1705)
Consonancias de 1° Tom
Juan Bautista José Cabanilles (1644-1712)
Corrente italiana
[u]Hespèrion XXI[/u]
Jordi Savall - viole de gambe soprano
Philippe Pierlot - basse de viole & viole de gambe soprano II
Sergi Casademunt - viole de gambe ténor
Lorenz Duftschmid - basse de viole
Xavier Puertas - violone
Xavier Díaz-Latorre - archiluth, théorbe & guitare
Enrike Solinís - archiluth
Pedro Estevan - percussion & cloches
DIRECTION: Jordi Savall
Enregistrement les 6 et 7 d’avril à la Collégiale de Cardona (Catalogne)
par Manuel Mohino
Release Date: 1st Jun 2018

About

This new recording by Jordi Savall and his ensemble Hespèrion XXI enables us to discover the best pieces for consort of viols composed between 1500 and 1700.
London, Venice, Rome, Versailles, Madrid : all the great European courts have been illuminated by this musica nova, this new style, dreaming of an harmony beyond time and frontiers.
With this album, Jordi Savall sets a new standard by delivering the comprehensive vision of a repertoire he is already famous for.

About

Perhaps it all goes back to one dark winter’s night of the incipient and hope-filled year of 1400, at the dawn of a century that had just begun. A century which was soon to unravel the marvellous stories and odysseys of a newly rediscovered millennial civilization, an ancient era when philosophers taught wisdom and humanity, when the music of Orpheus could tame even the most savage of beasts. In the midst of so many novelties and marvels, it is no wonder that minstrels aspired to a new, more expressive and richer sound, to create a musica nova, or a new music, that came from a single instrument combining the love song of the old vihuela de arco or bowed fiddle, the rebab or troubadour’s rebec, and the sweet sounds of the Moorish lute, with its potential for beautiful harmonies and joyful rhythms, which gave way to the vihuela de mano in the wake of the successive expulsions of the Jews in 1492 and the Moriscos in 1609.

Review
AllMusic Review by James Manheim [-]
Every era has something that it calls its new music, but the musica nova of the later Renaissance era is difficult to put a finger on. This release by Jordi Savall and his ensemble Hespèrion XXI unravels the meaning of the term with an attractive collection of instrumental music. The album doesn't have the vast sweep of some of Savall's recent releases, and the booklet weighs in at a slender (for Savall) 150 pages. Yet for those interested in the stylistic decisions Renaissance composers faced, it is, as usual with Savall, invaluable. If you had to sum up the musica nova concept in a single phrase, it might be 'the emergence of independent instrumental music.' The viol family, borrowed from the old Arab storehouse of musical knowledge of the ancient world, was placed in service first of the imitation of vocal music and then of independent instrumental genres like the ricercar, the ancestor of the fugue. The ricercar is represented here by a fine example from a published collection actually called Musica Nova, the Ricercare SIV 'Da Pacem' of Hieronimus Parabasco. The other major impulse behind the musica nova was dance music, often coming from multicultural places like Spain. Each of these features was inflected through various national influences, producing the distinctive English melancholy of the viol consort, radical new Spanish forms of polyphony and music shaped by the most current dances, and the polyphonic genres in Italy that led to the Baroque. You don't get a comprehensive survey in one CD, of course, but Savall and his fellow viol players, lutenists, guitarists, and percussionists give you a pretty good idea and bring their usual flair and beauty to the music. A fine survey of works that have hardly been represented on recordings.