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The Mozartists, Ian Page - Mozart in London 2018

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The Mozartists, Ian Page - Mozart in London 2018
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Mozart in London (The Mozartists, Ian Page)

Жанр: Classical orchestral / opera / concerto
Страна-производитель диска: Made in England?
Год издания диска: 2018
Издатель (лейбл): Signum Classics
Номер по каталогу: SIGCD534
Дата записи: 2015
Аудиокодек: FLAC
Тип рипа: image+.cue
Битрейт аудио: (lossy + lossless)
Продолжительность: 77'34 + 67'12 / 02:24:29
Источник: релизер
-источник/ник/другое: Bodtje, подарок; Caterina Sforza - работа с cue, доп. сканы
: да

Треклист

CD1

Mozart: Symphony No. 1 in E flat major, K16 12:09

01. I. Molto allegro 5:39

02. II. Andante 4:57

03. III. Presto 1:33
Arne: Judith 6:47

04. Act II: “Sleep, gentle Cherub! Sleep descend” 3:01

05. Act I: “O torment great, too great to bear” 3:46
Arne: Artaxerxes 9:22

06. Act I, Scene 2: “Amid a thousand racking Woes' 4:47

07. Act I, Scene 13: “O too lovely, too unkind” 4:35
Bach, J C: Harpsichord Concerto in D Major, Op. 1 No. 6 11:09

08. I. Allegro assai 4:44

09. II. Andante 3:31

10. III. Allegro moderato 2:54

11. Bach, J C: Ezio - “Non so d’onde viene” 8:26

12. Bach, J C: Berenice - “Confusa, smarrita” 5:56

13. Arne: The Guardian Outwitted - “O Dolly, I part” 2:35
Arnold, S: The Maid of the Mill 2:56

14. Act III, Scene 1: “To speak my mind of womankind” 1:02

15. Act II, Scene 8: “Hist, hist! I hear my mother call” 1:54
Mozart: Symphony No. 4 in D major, K19 9:02

16. I. Allegro 2:18

17. II. Andante 3:55

18. III. Presto 2:49

19. Pescetti: Ezio - “Caro mio bene, addio” 9:02

CD2

Mozart: Symphony in F Major, K. 19a 11:26

20. I. Allegro assai 4:59

21. II. Andante 4:58

22. III. Presto 1:29
Bach, J C: Adriano in Siria 17:21

23. “Ah, come mi balza il cor!” 2:09

24. “Deh lascia, o ciel pietoso” 6:22

25. “Cara la dolce amma” 8:50
Rush, G: The Capricious Lovers: Overture 5:18

26. I. Allegro 2:16

27. II: Allegretto 0:56

28. III. Allegro 2:06

29. Rush, G: The Capricious Lovers - Act I, Scene 8: 'Thus laugh’d at, jilted and betray’d” 2:37

30. Bates, W: Pharnaces - “In this I fear my latest breath” 2:41

31. Mozart: Va, dal furor portata, K21 6:14

32. Perez, D: Solimano - “Se non ti moro a lato” 9:28
Abel, C F: Symphony in E-Flat Major, Op. 7 No. 6 12:01

33. I. Allegro 3:39

34. II. Andante 5:28

35. III. Presto 2:54

[/spoiler]

Исполнители

Композиторы:
Wolfgang Amadeus Mozart (1756-1791)
Thomas Arne (1710-1778)
Johann Christian Bach (1735-1782)
Egidio Duni (1708-1775)
Samuel Arnold (1740-1802)
Giovanni Battista Pescetti (c.1704-1766)
George Rush (fl1760-1780)
William Bates (fl1750-1780)
David Perez (1711-1778)
Carl Friedrich Abel (1723-1787)
Mozart in LondonCD1
Wolfgang Amadeus Mozart (1756-1791)
Symphony No. 1 in E flat major, K.16
Thomas Arne (1710-1778)
Judith: Sleep, gentle Cherub! Sleep descend
Judith: O torment great, too great to bear
Artaxerxes: Amid a thousand racking woes
Artaxerxes: O too lovely, too unkind
Johann Christian Bach (1735-1782)
Harpsichord Concerto in D major, Op. 1, No. 6
Ezio: Non so d'onde viene
Berenice: Confusa, smarrita
Thomas Arne (1710-1778)
The Guardian Outwitted: O Dolly, I part
Egidio Duni (1708-1775)
The Maid of the Mill: To speak my mind of womankind
Samuel Arnold (1740-1802)
The Maid of the Mill: Hist, hist! I hear my mother call
Wolfgang Amadeus Mozart (1756-1791)
Symphony No. 4 in D major, K. 19
Giovanni Battista Pescetti (c1704-1766)
Ezio: Caro mio bene, addio
CD2
Wolfgang Amadeus Mozart (1756-1791)
Symphony in F major, K. 19a
Johann Christian Bach (1735-1782)
Adriano in Siria: Deh lascia, o ciel pietoso
Adriano in Siria: Cara la dolce fiamma
George Rush (fl c1760-1780)
The Capricious Lovers: Overture
The Capricious Lovers: Thus laugh'd at, jilted and betray'd
William Bates (fl c1750-1780)
Pharnaces: In this I fear my latest breath
Wolfgang Amadeus Mozart (1756-1791)
Concert Aria, Va, dal furor portata, K. 21
David Perez (1711-1778)
Solimano: Se non ti moro a lato
Carl Friedrich Abel (1723-1787)
Symphony in E flat major, Op. 7, No. 6
Rebecca Bottone, Eleanor Dennis, Anna Devin, Martene Grimson & Ana Maria Labin (sopranos)
Helen Sherman (mezzo-soprano)
Ben Johnson & Robert Murray (tenors)
Steven Devine (harpsichord)
[u]The Mozartists[/u]
Daniel Edgar (leader)
Ian Page (conductor)
Recording Date: February 20, 2015 - February 22, 2015
Recording Location: Milton Court, Guildhall School of Music & Drama, London, UK
Audio CD (4 May 2018)

[/spoiler]
[/spoiler]

Review

AllMusic Review by James Manheim [-]
Mozart and his family spent 15 months in London when the composer was eight years old. In London he wrote his first symphonies and first vocal works, serving major notice to the world. Those have been recorded before and are included here, but what's novel is the inclusion of music by other composers whom Mozart would have heard in London. Many of the works here receive their premiere recordings, and The Mozartists and conductor Ian Page ably sketch the influences they likely had on Mozart. Some of the influences from J.C. Bach have been recognized before, but Page goes more deeply into them: you can hear Mozart's way of assigning expressive meaning to transitional passagework, uncanny already at age eight, in the music of the 'London Bach.' Sample the Harpsichord Concerto in D major, Op. 1, No. 6. Elsewhere, there is English- and Italian-language vocal music by Thomas Arne, Samuel Arnold, Egidio Duni (with a very patter-song-like aria inserted into an opera based on Richardson's novel Pamela), Giovanni Battista Pescetti, William Bates, and Davide Perez, with varying degrees of a Mozartian quality, but all of it essentially unknown and largely worth hearing. The influences run thick in the other orchestral pieces included: a three-movement overture in the manner of Giovanni Battista Sammartini by George Rush, and the Symphony in E flat major, Op. 7, No. 6, of Carl Friedrich Abel, which manages to contain pre-echoes of the Symphony No. 39 in E flat major, K. 543, and perhaps the Sinfonia Concertante in E flat major, K. 364. The collection is performed on not-overaggressive period instruments, and it would be enjoyable merely as a sketch of the world Mozart experienced in London. And it's even better than that.

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