Dion - Dion - 1968

Dion / Dion

Жанр: Folk-Rock, Acoustic Blues
Носитель: CD
Страна-производитель диска (релиза): EU
Год издания: 1968 (2007)
Издатель (лейбл): Ace Records/EMI
Номер по каталогу: CDCHM 1147
Страна исполнителя (группы): USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Продолжительность: 00:37:36
Источник: собственный рип
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Треклист

01. Abraham, Martin and John (Dick Holler) 03:23

02. Purple Haze (Jimi Hendrix) 02:35

03. Tomorrow Is a Long Time / Everybody’s Talkin’ (Bob Dylan / Fred Neil) 03:42

04. You Better Watch Yourself (Sonny Boy) (Lightnin’ Hopkins) 03:07

05. The Dolphins 05:06 (Fred Neil)

06. He Looks a Lot Like Me (Dion DiMucci) 02:53

07. Sun Fun Song (Dion DiMucci) 03:52

08. From Both Sides Now (Joni Mitchell) 03:56

09. Sisters of Mercy (Leonard Cohen) 03:34

10. Loving You Is Sweeter Than Ever (Ivy Jo Hunter / Stevie Wonder) 02:50

11. Daddy Rollin’ (In Your Arms) (Dion DiMucci / Tony Fasce) 02:39

Замер динамического диапазона (DR)

foobar2000 1.4.4 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта: 2019-11-27 09:51:31

Анализ: Dion / Dion (2007 remaster of 1994 reissue)

DR Пики RMS Продолжительность трека

DR11 -0.01 дБ -13.61 дБ 3:23 01-Abraham, Martin and John
DR12 -0.01 дБ -13.88 дБ 2:35 02-Purple Haze
DR10 -0.01 дБ -13.21 дБ 3:42 03-Tomorrow Is a Long Time / Everybody's Talkin'
DR10 -0.01 дБ -12.24 дБ 3:07 04-You Better Watch Yourself (Sonny Boy)
DR10 -0.01 дБ -12.28 дБ 5:06 05-The Dolphins
DR14 -0.05 дБ -17.47 дБ 2:53 06-He Looks a Lot Like Me
DR10 -0.01 дБ -12.53 дБ 3:52 07-Sun Fun Song
DR10 -0.01 дБ -12.56 дБ 3:56 08-From Both Sides Now
DR12 -0.01 дБ -13.92 дБ 3:34 09-Sisters of Mercy
DR10 -0.01 дБ -12.38 дБ 2:50 10-Loving You Is Sweeter Than Ever
DR10 -0.01 дБ -11.52 дБ 2:39 11-Daddy Rollin' (In Your Arms)

Количество треков: 11
Реальные значения DR: DR11
Частота: 44100 Гц
Каналов: 2
Разрядность: 16
Битрейт: 473 кбит/с
Кодек: FLAC

Об исполнителе (группе)
Bridging the era between late-’50s rock and the British Invasion, Dion DiMucci (born July 18, 1939) was one of the top white rock singers of his time, blending the best elements of doo wop, teen idol, and R&B styles. Some revisionists have tried to cast him as a sort of early blue-eyed soul figure, although he was probably more aligned with pop/rock, at first as the lead singer of the Belmonts, and then as a solo star. Drug problems slowed him down in the mid-’60s, yet he made some surprisingly interesting progressions into blues-rock and folk-rock as the decade wore on, culminating in a successful comeback in the late ’60s, although he was unable to sustain its commercial and artistic momentum for long.
When Dion began recording in the late ’50s, it was as the lead singer of a group of friends who sang on Bronx street corners. Billing themselves Dion & the Belmonts (Dion had released a previous single with the Timberlanes), their first few records were prime Italian-American doo wop; “I Wonder Why” was their biggest hit in this style. Dion’s biggest single with the Belmonts was “A Teenager in Love,” which pointed the way for the slightly self-pitying, pained odes to adolescence and early adulthood that would characterize much of his solo work.
Dion went solo in 1960 (the Belmonts did some more doo wop recordings on their own), moving from doo wop to more R&B/pop-oriented tunes with great success. He handled himself with a suave, cocky ease on hits like “The Wanderer,” “Runaround Sue,” “Lovers Who Wander,” “Ruby Baby,” and “Donna the Prima Donna,” which cast him as either the jilted, misunderstood youngster or the macho lover, capable of handling anything that came his way (especially on “The Wanderer”).
In 1963, Dion moved from Laurie to the larger Columbia label, an association that started promisingly with a couple of big hits right off the bat, “Ruby Baby” and “Donna the Prima Donna.” By the mid-’60s, his heroin habit (which he’d developed as a teenager) was getting the best of him, and he did little recording and performing for about five years. When he did make it into the studio, he was moving in some surprisingly bluesy directions; although much of it was overlooked or unissued at the time, it can be heard on the [/]Bronx Blues[/] reissue CD.
In 1968, he kicked heroin and re-emerged as a gentle folk-rocker with a number four hit single, “Abraham, Martin and John.” Dion would focus upon mature, contemporary material on his late-’60s and early-’70s albums, which were released to positive critical feedback, if only moderate sales. The folk phase didn’t last long; in 1972 he reunited with the Belmonts and in the mid-’70s cut a disappointing record with Phil Spector as producer. He recorded and performed fairly often in the years that followed (sometimes singing Christian music), to indifferent commercial results. But his critical rep has risen steadily since the early ’60s, with many noted contemporary musicians showering him with praise and citing his influence, such as Dave Edmunds (who produced one of his periodic comeback albums) and Lou Reed (who guested on that record). Dion continued to be active as the 21st century opened, releasing Déjà Nu in 2000, Under the Influence in 2005, and Bronx in Blue in 2006. His first major-label album since 1989’s Yo Frankie, Son of Skip James was released by Verve in 2007, while 2008’s Heroes: Giants of Early Guitar Rock saw him tackling 15 songs from the classic rock & roll era. Influenced by a conversation with rock critic Dave Marsh about his long and still relevant career, and a dare from his wife Susan to prove it, Dion cut Tank Full of Blues, producing and playing the guitars himself on the recording and writing or co-writing all but one track on the set. Issued on Blue Horizon, it is the final recording in the trilogy that began with [/]Bronx in Blue[/].
Dion signed to Instant Records in 2015 and immediately set to recording a new studio album. Entitled New York Is My Home, its first single and title track-a duet with Paul Simon-was pre-released in November digitally and as a striking video. The album was issued in the winter of 2016.
Then the singer/songwriter and Norton Records surprised everyone. In 1965, DiMucci was signed to Columbia, and had cut 15 new songs-all produced by Tom Wilson, who was recording Bob Dylan in the same studios at roughly the same time-for an album that the label, for whatever reason, decided not to release. Dion left the label over the decision. Some tracks were issued on singles, others later on various compilations. But for over 50 years, the tapes sat. That’s where Norton’s Miriam Linna and Billy Miller came in. They received the rights to release the entire record as it was originally intended, completely remastered from the original tapes. Featuring ten originals, one by Mort Shuman (who had co-written “Teenager in Love” with Doc Pomus for Dion & the Belmonts), and three by Dylan (who had been enamored with Dion since the ’50s). Though Miller passed before it was issued, Kickin’ Child: The Lost Columbia Album 1965 was released by the label in May. (Richie Unterberger, AllMusic)

Об альбоме (сборнике)
Featuring his Top Five comeback single “Abraham, Martin and John,” this folk-rock and blues-flavored effort remains Dion’s most fully realized album. In addition to the impressive anti-war original “He Looks a Lot Like Me,” it contains mature interpretations, arranged both acoustically and with strings, of songs by Fred Neil, Joni Mitchell, Leonard Cohen, Bob Dylan, and Lightnin’ Hopkins. (Richie Unterberger, AllMusic)

Состав
Dion: vocals, acoustic guitar
Produced by Phil Gernhard