James Taylor - The Warner Bros. Albums: 1970-1976 2019

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James Taylor - The Warner Bros. Albums: 1970-1976 2019
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James Taylor / The Warner Bros. Albums: 1970-1976

Жанр: Singer-Songwriter, Soft Rock
Носитель: CD
Страна-производитель диска (релиза): USA
Год издания: 2019
Издатель (лейбл): Rhino Entertainment Company & Warner Music Company
Номер по каталогу: R2 587550 603497852390
Страна исполнителя (группы): USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Продолжительность: 03:45:00
Источник: собственный рип
: да
Треклист:

Disc One: Sweet Baby James, 1970 (00:31:54)

01. Sweet Baby James 02:54

02. Lo and Behold 02:39

03. Sunny Skies 02:21

04. Steamroller 02:58

05. Country Road 03:22

06. Oh, Susannah (Stephen Foster / Taj Mahal / Traditional) 02:01

07. Fire and Rain 03:24

08. Blossom 02:13

09. Anywhere Like Heaven 03:27

10. Oh Baby, Don’t You Lose Your Lip on Me 01:49

11. Suite for 20G 04:47
All songs written by James Taylor unless indicated otherwise.

Disc Two: Mud Slide Slim and the Blue Horizon, 1971 (00:37:21)

01. Love Has Brought Me Around 02:45

02. You’ve Got a Friend (Carole King) 04:29

03. Places in My Past 02:02

04. Riding on a Railroad 02:43

05. Soldiers 01:15

06. Mud Slide Slim 05:19

07. Hey Mister, That’s Me Up on the Jukebox 03:48

08. You Can Close Your Eyes 02:29

09. Machine Gun Kelly (Danny Kortchmar / James Taylor) 02:37

10. Long Ago (And Far Away) 02:21

11. Let Me Ride 02:44

12. Highway Song 03:53

13. Isn’t It Nice to Be Home Again 00:55
All songs written by James Taylor unless indicated otherwise.

Disc Three: One Man Dog, 1972 (00:37:44)

01. One Man Parade 03:11

02. Nobody but You 02:57

03. Chili Dog 01:35

04. Fool for You 01:42

05. Instrumental I 00:54

06. New Tune 01:37

07. Back on the Street Again (Danny Kortchmar) 03:01

08. Don’t Let Me Be Lonely Tonight 02:35

09. Woh, Don’t You Know (Danny Kortchmar / Leland Sklar / James Taylor) 02:11

10. One Morning in May (Bill Keith / Jim Rooney) 02:54

11. Instrumental II 01:41

12. Someone (John McLaughlin) 03:36

13. Hymn 02:24

14. Fanfare 02:36

15. Little David 00:58

16. Mescalito 00:29

17. Dance 02:06

18. Jig 01:14
All songs written by James Taylor unless indicated otherwise.

Disc Four: Walking Man, 1974 (00:34:03)

01. Walking Man 03:35

02. Rock ’n’ Roll Is Music Now 03:28

03. Let It All Fall Down 03:35

04. Me and My Guitar 03:34

05. Daddy’s Baby 02:38

06. Ain’t No Song (Joey Levine / David Spinozza) 03:31

07. Hello Old Friend 02:48

08. Migration 03:17

09. The Promised Land (Chuck Berry) 04:04

10. Fading Away 03:34
All songs written by James Taylor unless indicated otherwise.

Disc Five: Gorilla, 1975 (00:39:02)

01. Mexico 02:59

02. Music 03:47

03. How Sweet It Is [To Be Loved by You] (Lamont Dozier / Brian Holland / Eddie Holland) 03:36

04. Wandering (Traditional, arrt., adl. lyrics by James Taylor) 02:41

05. Gorilla 03:12

06. You Make It Easy 04:12

07. I Was a Fool to Care 03:21

08. Lighthouse 03:16

09. Angry Blues 03:26

10. Love Songs 05:46

11. Sarah Maria 02:45
All songs written by James Taylor unless indicated otherwise.

Disc Six: In the Pocket, 1976 (00:44:56)

01. Shower the People 04:33

02. A Junkie's Lament 03:30

03. Money Machine 04:36

04. Slow Burning Love 03:43

05. Everybody Has the Blues 02:03

06. Daddy’s All Gone 03:39

07. Woman’s Gotta Have It (Darryl Carter / Bobby Womack / Linda Womack) 04:20

08. Captain Jim’s Drunken Dream 04:04

09. Don’t Be Sad ’Cause Your Sun Is Down (James Taylor / Stevie Wonder) 03:29

10. Nothing Like a Hundred Miles 03:43

11. Family Man 03:39

12. Golden Moments 03:36
All songs written by James Taylor unless indicated otherwise.

Доп. информация
Об исполнителе
When people use the term “singer/songwriter” (often modified by the word “sensitive”) in praise or in criticism, they’re thinking of James Taylor. In the early ’70s, when he appeared with his introspective songs, acoustic guitar, and calm, understated singing style, he mirrored a generation’s emotional exhaustion after tumultuous times. Just as Bing Crosby’s reassuring voice brought the country out of the Depression and through World War II, Taylor’s eased the transition from ’60s activism and its attendant frustrations into the less political, more inward-looking ’70s. He was rewarded with a series of hit albums and singles (surprisingly, many of the latter were covers of old songs rather than his own compositions), and he managed to survive his initial fame to achieve lasting popularity. He continued to tour successfully for decades, and, starting with his 1970 breakthrough Sweet Baby James, all but one of his regular album releases for the rest of the century went gold or platinum, while his 1976 Greatest Hits album achieved a diamond certification reflecting sales of more than ten million copies.
Taylor was the son of Dr. Isaac and Gertrude Taylor. His three brothers Alex (1947-1993), Livingston, and Hugh-and his sister Kate-all became musicians and recorded albums of their own. In 1951, Dr. Taylor was appointed dean of the medical school at the University of North Carolina at Chapel Hill, and the family moved from New England to the South. Taylor studied cello as a child, but first took up the guitar in 1960. In 1963, he began attending Milton Academy, a prep school in Massachusetts. That summer, he met fellow guitarist Danny “Kootch” Kortchmar while staying on Martha’s Vineyard, and the two formed a folk duo. Taylor dropped out of school at 16 and formed a band with his brother Alex. Having moved to New York, he suffered from depression and checked himself into McLean Psychiatric Hospital in Massachusetts, a stay that would inspire some of his early songs. While there, he earned a high-school diploma. Upon release, he returned to New York in 1966 and formed a new group, the Flying Machine, with Kortchmar and Joel O’Brien. The band played in Greenwich Village and was signed to a fledgling record label, Rainy Day Records (the name taken from Taylor’s song “Rainy Day Man”). It released one single, “Brighten Your Night with My Day”/”Night Owl,” both songs written by Taylor. The record was unsuccessful, and the band broke up in the spring of 1967.
By 1968, Taylor had become addicted to heroin. In an attempt to overcome his addiction, he moved to London, where he submitted a demo tape to Peter Asher, former member of Peter & Gordon, then working for the Beatles’ Apple Records label. As a result, Taylor was signed to Apple and recorded his debut solo album, James Taylor, released in the U.K. in December 1968 and in the U.S. in February 1969. Initially, it received little attention. A more pressing concern, however, was that Taylor had not been able to kick heroin. As a result, he returned to the U.S. and checked into the Austin Riggs Hospital in Massachusetts. By July 1969, he had recovered sufficiently to make his solo debut at the Troubadour nightclub in Los Angeles, but soon after he was in a motorcycle accident and broke both of his hands, which put him out of commission for several months.
Freed of his Apple Records contract, Taylor signed to Warner Bros., moved to California, and, retaining Asher as his manager and producer, recorded his second album, Sweet Baby James. It was released in February 1970 and became a major success during the course of the year, spurred by the single “Fire and Rain,” a song that reflected on his experiences in mental institutions, which peaked in the Top Five in October, the same month that Sweet Baby James achieved the same status on the LP charts. With that, interest in Taylor’s first album was re-stimulated, and it belatedly reached the charts along with the single “Carolina on My Mind,” as did James Taylor & the Original Flying Machine: 1967, a short collection of unfinished recordings made by his ’60s band. Sweet Baby James then spawned a second hit single, “Country Road,” which peaked in the Top 40 in March 1971. The same month, Taylor appeared on the cover of Time magazine, touted as the founder and leading proponent of the “singer/songwriter” trend in popular music.
Meanwhile, Taylor acted in a feature film, Two-Lane Blacktop, co-starring with the Beach Boys’ Dennis Wilson. It was not successful, and Taylor didn’t pursue an acting career, though t
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