Opus Avantra/Alfredo Tisocco - Omega 4 CD Collector's Boxset - 2003

Opus Avantra/Alfredo Tisocco / Omega 4 CD Collector's Boxset
Жанр: Avant-Prog/Classical
Страна-производитель диска: Italy
Год издания: 2003
Издатель (лейбл): AKARMA
Номер по каталогу: gdf
Страна: Italy
Аудиокодек: WavPack (*.wv)
Тип рипа: iso.wv
Битрейт аудио: (lossy + lossless)
Продолжительность: 42:57+57:45+65:55+61:46
Источник (релизер): tatuk (с полочки в шкафчике)
Наличие сканов в содержимом раздачи: да
Доп. информация: Сразу скажу: эта древняя коробочка - исключительно на фанатов Opus Avantra и коллекционеров. Так что, добряки, качайте селективно.
И строго добавил: Во избежание!
(с)Стругацкие.
В коробочку вошли два диска Opus Avantra и два - чиста сольные работы Alfredo Tisocco, который, как мы знаем, пишет для Opus Avantra всю музыку. Диск Опус Авантра Lyrics уже раздавался на трекере в другом издании. Второй диск группы издаётся впервые, но, честно скажу, он не настолько интересен, чтобы рекомендовать всем добрякам подряд: куски концертов - они куски концертов и есть, коллекционное издание, ничего личного . Сольный СД Альфредо Ritagli d'Anima - это классические фортепианные работы. На мой вкус - скучновато. Второй сольник, Ballet Collection, тоже начинается с фортепианной музыки, но с 5го трека подключается вся группа, и дело идёт значительно веселей...
Качество полиграфии на высоте, каждый СД лежит в красочной раскладушке из картона, есть буклет на 2х языках. Я там сосканировал инфу на английском (под спойлером), но переводить не стал - неинтересно. Кто где в каком году что выпустил, где гастролировал, да какие они все разносторонние молодцы...

CD1: Opus Avantra - Lyrics (1992) 2003

Номер по каталогу: AK 1039/1
Продолжительность: 42:57
Треклист:
1. Viaggio Immaginario
Parte I (2:39)
Parte II (2:08)
Parte III (4:24)
2. Mysterious Japanese Suite Parte I (5:30)
Parte II (2:39)
Parte III (2:35)
Parte IV (5:08)
3. Ballata (2:57)
4. Lirica Metafisica (5:21)
5. Danza Africana (4:39)
6. Meditazione (4:55)

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Booklet Info

It seems it was yesterday when for the first time, long ago in 1972, I played the first Moog Synthesizers. In a eyeuink, life leapt from one generation to another, and the new one brought machines. A sort of mystery!
Viaggio Arcano Metafisico (Arcane Metaphysical Trawl) is a full-immersion into the sounds of the past through the machines of the future. I captured the sensations and librations of the musicians and handled them as I pleased; it was nearly a sueet tiolen-ce flavored and nourished by the power the alien computer gave me each time I made a request.
The mystery is mealed by getting the fruits of science, reaching up to the skin of the artist, eieti more, grasping the librations transmitted to the fingers which play the instruments. But what about the soul? It is deep inside, it cannot be touched.
Music is aliie, the soul is expressed by the complex modulations of a song (mice or instruments) characterized only by the musician's personality'. A melody shous the passion, thoughts and psychophysical uorld of the artist.
It is a fantastic sensation to select the living sounds, to modify' and use them rhythmically and finally make them fly into the space of the score, blending them into a new shade of color, granting new shape and vitality to the piece of music.
I stand in need of the free singing ” the melody which like a prayer
leads to the metaphysical mystery. So Danza Arcana (Arcane Dance) comes to light uith an obsessiie rhythm, in a continuous crescendo sustained in the a solo up to the finale in “moto per-petuo”.
Full of energy in Mysterious Japanese Suite I look for a new experience of life in the mysterious meditations of the oriental uorld.
How can I arrange a piano score uith more than 100.000 musical notes! I find an International complexity a spasmodic research for an indescribable mental stability.
I am able to handle myself. But is it “yesterday or was it aposteriori? It is as if time had stopped! The present passes by linked to ephemeral life or physical necessities, but metaphysics uiden your sight from the inner part of mind, nourishing the uish to grow up arid the conscience of the sound as a “bridge betueen your earthly reality and your spirit. A presumption of the mealed truth ” or a scientific comiction?
Yes, there is only one metamorphosis, but I was in the “celestial dust at the time and I uill still be there in the future as in Lirica
Metafisica (Metaphysical Melody).
Ballads have always concealed an intense spirit and in the popular songs ue can find the strength, the happiness of life, which is not present in the individual piece of music.
Here the Ballata ” (Ballad) is simple but mysterious as in the text. Danza Arcana (Aicane Dance) is the necessaiy progression of transformation and eiolution. A whisper, a breath, a scream, a lament, they' are all different shades of the expression which the spirit sets free and unconsciously brings into surface as life signals, inebriating the artist uith an intense rhythm uith a nearly ritual a solo , then mysteriously everything vanishes.
I am at Meditazione Trascendentale (Transcendental Meditation) as a safe rescue and a link uith the spirit that finds its vital lymph in the rightful testimony.
A huge amount of sounds stored in the computer stimulates me to choose a melody sometimes uith parsimony, sometimes at ease it casts intense colors into the music of an “OPUS AVANTRA ” captured, controlled and cloned, I am dumbstruck in front of it (maybe is nothing) but the way is marked, the author becomes the master of the performance, he rescues the “Canto Lirico as the memory of the creative freedom.
Alfredo Tisocco
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Booklet info
A musical idea
An opera like that of OPUS AVANTRA isn't born out of chance. It is the fusion of several components of different origins, all matching.
It's a big idea: “Our musical ensemble is born out of the need to come over the musical impasse of today, as it divides music into different and uncommunicating genres”.
With these words, Alfredo Tisocco (musician, pianist composer and director), Giorgio Bisotto (art philosopher) and Donella Del Monaco (vocalist) began their MANIFESTO, in the true tradition of the best cultural avant-gardes of the '900s like futurism, dada, surrealism, etc.
OPUS AVANTRA is then a musical ensemble, an open structure, as opposed to a closed group.
It’s also an open structure in art and music, where boundaries are eliminated and expression can explode fully in all its power.
These artist unite symphonic music, opera, classical, contemporary music pop, rock, jazz etc, as in the union of AVAN-t-garde and TRA-dition, to create a sort of universal music. It’s a different thing than other