Pestilence - Doctrine - (MP3 + FLAC)

Pestilence - Doctrine
Жанр: Progressive Death Metal
Страна: Netherlands (Overijssel)
Год издания диска: 2011
Издатель (лейбл):
Номер по каталогу: M7344 2
Аудио кодек: (MP3 + FLAC) (*.flac)
Тип рипа: image+.cue+scans (от Exploded MMT)
Битрейт аудио: (lossy + lossless)
Продолжительность: 00:39:21
Источник (релизер): Brutal
Наличие сканов в содержимом раздачи: да (600 DPI)
Треклист:
01. The Predication (02:00)
02. Amgod (03:33)
03. Doctrine (03:07)
04. Salvation (03:39)
05. Dissolve (03:39)
06. Absolution (03:37)
07. Sinister (03:57)
08. Divinity (04:05)
09. Deception (03:57)
10. Malignant (3:49)
11. Confusion (03:54)

Лог создания рипа

Содержание индексной карты (.CUE)

Об исполнителе (группе)

Об альбоме (сборнике)

The Dutch technical death metal legend Pestilence is back with their second album after the reunion. Some line-up changes have happened since the last album, Resurrection Macabre. Tony Choy left the band and Jeroen Paul Thesseling is replacing him. Also there is new drummer, Yuma van Eekelen, from Brutus. I don't know, do these kinds of changes really matter, but like before in his career, from Testimony of the Ancients to Spheres, Patrick Mameli and his men have again went to more jazz-influenced direction in their music.
Resurrection Macabre promised a lot, and even it was technical, being quite similar like the first three albums. But like on Spheres, it seems like Mameli's ambition as a musician has taken band into a direction, what the fans of the band's older production is hard to tolerate. On one hand, the band may gain more fans, but on the other, I think that this new material is too introverted for the most people.
The album begins after the long intro with the track, 'Amgod', that is mostly fine death metal, but even this track we have some original jazzing, creating the atmosphere to almost the whole album. Death metal and jazz are both very strong elements on this album, but this soup is done with such a challenging recipe that it's very hard to say anything sure even after dozens of listens. The only thing that I'm really sure is that on Resurrection Macabre this stuff worked much better. It's sure that Mameli and his men are extremely skilled musicians, but this time it feels like the sound was entirety taken over by the vision. It isn't really a bad thing, not at all. Some evolution has happened, like Mameli’s vocals are much better now, but this album still confuses me. Maybe the album will open to me couple years later.

Record Label Mascot Records

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Состав

Patrick Mameli - Vocals, Guitar (1986-1994, 2008-) (C-187)
Patrick Uterwijk - Guitar (1989-1994, 2008-) (Theriac)
Jeroen Paul Thesseling - 7-String Fretless Bass (1992-1994, 2009-) (Obscura)
Yuma Van Eekelen - Drums (2009-) (The New Dominion, Brutus)
Vocals:
Martin Van Drunen (1986-1990, also Bass) (Hail of Bullets, Bunkur, Bolt Thrower, Asphyx, Comecon, Submission, Death by Dawn, Mortuary I.O.D.)
Guitar:
Randy Meinhard (1986-1989) (Submission, Sacrosanct, Neon Dream)
Bass:
Tony Choy (1991-1992, 2008-2009) (Atheist, Cynic, Area 305, C-187, Synkronizity)
Nick Sagias (Overthrow, Soulstorm, Monster Voodoo Machine)
Jack Dodd
Drums:
Marco Foddis (1986-1994) (Sacrosanct)
Peter Wildoer (Session, 2008-2009) (Non-Human Level, Darkane, Majestic, Electrocution 250, Arch Enemy, Armageddon, Agretator/Demise, Silver Seraph, Grimmark, Gardens of Obscurity, Old Man's Child, Zaninez, James LaBrie, Time Requiem)