Описание
Характеристики
Отзывы
Syrius / Devil's Masquerade (Az Ördög Álarcosbálja)Жанр: Progressive Rock, Jazz-Rock, Jazz Fusion
Страна-производитель диска: Hungary
Год издания: 1972 (1993)
Издатель (лейбл): Gong
Номер по каталогу: HCD 17439
Страна: Hungary
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: (lossy + lossless)
Продолжительность: 35:37
: CD (мой рип)
: да (350dpi, png)
Треклист:
1. Concerto For A Three-Stringed Violin And Five Mugs Of Beer (Koncert Háromhúros Hegedűre És Öt Korsó Sörre) - 2:38
2. Crooked Man (Hitvány Ember) - 6:55
3. I’ve Been This Down Before (Voltam Már Azelőtt…) - 4:27
4. Devil’s Masquerade (Az Ördög Álarcosbálja) - 5:34
5. Psychomania (Psychomania) - 5:44
6. Observations Of An Honest Man (Egy Becsületes Ember Észrevételei) - 1:46
7. In The Bosom Of A Shout (Egy Kiáltás Méhében) - 8:53 || || ||
Лог создания рипа
Содержание индексной карты (.CUE)
Лог проверки качества
Скриншот спектра частот
Об исполнителе (группе)
Syrius biography
SYRIUS was formed by Zsolt Baronits in 1962, Budapest, mainly to play beat music. The band profile changed in 1970 when they started playing progressive rock and jazz-rock fusion, when Jackie Orszaczky (bass, vocal), László Pataki (organ), Mihály Ráduly (saxophone, flute) and András Veszelinov (drums) joined the band. They got a contract in Australia where they recorded their most famous album called 'Devil's Masquerade'. Guitarist Tibor Tátrai came to the band later.
For the reasons unknown, they couldn't go back to Australia, and some members left the band shortly afterward. The new line-up released the new album 'Széttört álmok'('Broken dreams') in 1976. SYRIUS disbanded in 1978, although there was a reunion in the 00's, which gave their last concert (recorded and released) in 2001.
Biography by Antal Molnár (fluiddruid)
Syrius биография
Сириус был сформирован Жолтом Бароничем (Zsolt Baronits) в 1962 году в Будапеште (Венгрия), в начале своей карьеры группа играла в основном beat music. Музыкальное направление группы изменилось в 1970 году, когда они начали играть прогрессивный рок и джаз-рок-фьюжн, когда Orszáczky Miklós (бас, вокал), Pataki László (орган), Raduly Mihály (саксофон, флейта) и Veszelinov András (барабаны) присоединились к группе. Сириус получил контракт в Австралии, где группа и записала свой самый известный альбом под названием Маскарад дьявола». Гитарист Тибор Tátrai пришел в группу позже.
По неизвестным причинам, они не смогли вернуться в Австралию, и вскоре после этого некоторые члены покинули группу. Новый состав выпустил альбом Széttört álmok» («Разбитые мечты») в 1976 году. Сириус был расформирован в 1978 году. В 2000-е произошло воссоединение группы, которая дала свой последний концерт (записан и выпущен) в 2001 году.
Об альбоме (сборнике)
Syrius – Devil's Masquerade - Az Ördög Álarcosbálja
4.43 | 12 ratings | 3 reviews | 67% 5 stars -
This is a pretty special album to say the least. Hungarian beat band Syrius originally formed back in 62 and then metamorphosed with the times and the changing currents adopting a powerful melodic jazz rock approach. Even so, the time spent playing together as a band all through the 60s shows almost immediately, when you pop this mother on.
The Devil's Masquerade was actually recorded in Australia, where the band had received a record deal, which to my knowledge is why they decided to sing in English, but don't take my word for it though... Speaking of those vocals, the 60s sound is all over them, and this listener feels instantly warm and taken aback by the sheer soul and chocolate power there is to them. For lack of a better picture, then imagine a white version of Otis Redding, albeit with a slightly heftier backing band. Yeah erm - perhaps backing band is the wrong wording here, because it feels much more like a full frontal attack with heavy based organ work, tip toeing Aristocats piano, manic saxophone sprees - often recalling the more angular Canterburian work, along with a butter-churning funky rhythm section, that will have you out of breath and lying on the floor like a salmon out of water.
There's that early 70s experimental feel to it as well - especially in some of the saxophone parts here, you get sudden bursts of unbridled free-jazz inching its way through the orchestrated wilderness. Still you never loose focus - you're still infatuated by warm and vibrant melody lines, that for some reason always seem a bit hidden beneath these mad interventions - either emanating from the aforementioned sax or an altogether preposterous sounding flute. The melodies are omnipresent often delivered by the soulful piano man, who are as prone to run wildly about on organic fusioneros runs going a hundred miles an hour - or just strolling casually along to these cool jazz Aristocats' chords, that really speak to the feline in me.
It's sexy, cacophonous, soulful, funky, at times ominous - but never dull or uninspired. Jazz with its pants down so to speak... I can understand why this album only has received masterpiece ratings before my review - I really can. Most of all, because I can relate to the kind of music on offer - the way it makes me feel, the warmth and vigour it's delivered with, but mostly because it just jives, bounces, funks, rocks and bleeds all over your living room floor like some kind of welcomed vagabond. With all the twists and turns, it really should radiate more of a schooled snobbish expression, but just like Zappa did with his musical ventures - these guys are able to take it to the streets - right down in the gutter and make it infinitely more earthy and frivolous. I really like that about 'em.
One thing that has got me puzzled slightly though, is the fact that I seem to know some of these melodies beforehand. I'm not suggesting that we're talking rip-offs, no no - I actually have a pretty good listening memory, and have always been able to spot where musical themes are lifted from, if such is the case, - but here with Devil's Masquerade the music just feels like an old friend shaking hands with you - like you instantly know the shake, the bake, the whole register of emotions associated with the experience, and yet you will constantly be facing new facets within the tracks - suddenly popping up within 60s inspired soul choruses you get the odd sax toots or a complete turn around making the music shift course and then go in a completely different direction. Still feels melodic and right at home though, which is one of this album's biggest attributes: the somewhat open and welcoming atmosphere it conjures up transcribes to the music itself. Everything seems to fit whether it be the Canterbury snippets on top of the free-jazz vortex, or the musical themes with a devout soul music shadow intrusion, it's all good and I just love it!
So, do you consider yourself a fan of 70s Zappa, Canterbury, Nine Days' Wonder - or just music you can seduce your friendly neighbourhood tomcat with? Then, I swear to you on my mother's diving suit, - this Australian produced Hungarian is a safe bet. It certainly has got me dancing the bop.
Review by Guldbamsen
Цитата:
История венгерского бэнда Syrius хроникально делится надвое. Основанный в 1962 г. саксофонистом Жолтом Баронитшем, ансамбль на протяжении шести лет исполнял незамысловатый поп-рок танцевального плана. Записей в ту пору коллектив не предпринимал, ограничиваясь площадками для выступлений. Обострившиеся творческие разногласия внутри состава привели его к распаду. А после реорганизации в 1968-ом лицо Syrius изменилось кардинальнейшим образом. В компанию к Баронитшу пожаловали виртуозный органист Ласло Патаки, духовик Михай Радуй (флейта, тенор- и сопрано-саксофоны), ударник Андраш Веселинов. Позднее других к коллегам примкнул Миклош 'Джеки' Орсацки (бас, акустическая гитара, скрипка, вокал), однако вклад этого неординарного артиста в общую копилку трудно переоценить. За плечами Миклоша маячили усердные занятия музыкой (классическое фортепиано, струнные), участие в школьном оркестре, активная деятельность в рок-команде Új Rákfogó и много чего еще. Так что накопленный Орсацки опыт весьма пригодился обновленным Syrius. Отмежевавш
Характеристики
Количество CD
1
Вес
0.12 кг
Формат
(MP3 + FLAC)
Отзывов ещё нет — ваш может стать первым.
Все отзывы 0