West Coast Pop Art Experimental Band - Volume One

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West Coast Pop Art Experimental Band - Volume One
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West Coast Pop Art Experimental Band / Volume One (1966)
Жанр: Psychedelic Rock
Страна-производитель диска: USA
Год издания диска: 1997
Издатель (лейбл): Sundazed
Номер по каталогу: SC 11047
Страна: USA
Аудио кодек: (MP3 + FLAC) (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: (lossy + lossless)
Продолжительность: 52:01
: ()
: да
Треклист:
01. Something You Got (2:55)
02. Work Song (2:15)
03. Louie Louie (2:49)
04. Don't Break My Balloon (3:15)
05. You Really Got Me (3:07)
06. Don't Let Anything!! ! Stand In Your Way (2:14)
07. I Won't Hurt You (2:13)
08. If You Want This Love (1:36)
09. Insanity (3:02)
10. It's All Over Now, Baby Blue (3:04)
11. She Belongs To Me (1:56)
12. She Surely Must Know (2:00) [previously unissued]
13. Sassafras (2:02)
14. She May Call You Up Tonight (2:27)
15. One Day (2:04) [previously unissued]
16. Funny How Love Can Be (1:40) [previously unissued]
17. Obviously Bad (1:33)
18. Endless Night (2:17) [previously unissued]
19. Tell Me What You Want To Know (1:49) [previously unissued]
20. Just You Me (1:59) [previously unissued]
21. Chimes Of Freedom (3:06) [previously unissued]
22. Scuse Me Miss Rose (2:38) [previously unissued]

Лог создания рипа

Содержание индексной карты (.CUE)

Об исполнителе (группе)

If a band could ever be called an average psychedelic group, the West Coast Pop Art Experimental Band fit the bill. This somewhat mysterious collection of L.A. players issued several albums in the late '60s that plugged into the era's standard folk-rock, freakouts, and trippy lyrics without establishing a solid identity of their own. But because the currents they were riding were themselves so inspired, average in this case doesn't necessarily mean bad. They cut a fair number of tracks, moving without rhyme or reason from straightforward Byrds and Kinks cops to zany orchestrated self-absorbed psychedelic pop to self-conscious exercises in hippy outrageousness (including, of all things, a cover of the Mothers' Help I'm a Rock). Though their legacy reeks of determined trendiness, the best of their output holds up reasonably well.

Об альбоме (сборнике)

Raw, sometimes sloppy material by this enigmatic psychedelic cult band appeared on an extremely rare debut album in 1966 (their first LP for Reprise, Part One, is usually considered their first recording). This 22-track compilation reissues that first album on CD, adding 11 other rare tracks from the 1965-1967 era, most previously unreleased. West Coast Pop Art were always a strange act, and this collection does nothing to tarnish that perception. It's not so much the weirdness of the sound -- they could be plenty weird per se on Zappaesque freakouts like Insanity (co-penned by Kim Fowley), but only occasionally. It's more the sheer unpredictable range of the material. One minute they're attacking Louie, Louie and the classic jazz instrumental Work Song with all the finesse of teenagers in their bedroom; the next they're doing pretty psych-pop tunes with a bizarre edge, like I Won't Hurt You; then there are the Dylan covers, which are approached as if they are Yardbirds tunes, with splashes of feedback and hard rock/RB arrangements. And then there's an original baroque pop number worthy of the Left Banke or late-period Zombies (She Surely Must Know), a sharp, witty country-tinged rocker (Sassafras), and covers of the Left Banke's She May Call You Up Tonight and the mawkish Funny How Love Can Be. No stylistic consistency whatsoever, in other words, but plenty of wacky energy, and occasional actual inspiration. Which makes this hard to recommend to anyone other than psychedelic junkies. But if you fit under that umbrella, it's not bad at all, though wildly erratic.

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