The Rolling Stones - Their Satanic Majesties Request 1967/2017

The Rolling Stones / Their Satanic Majesties Request (50th Anniversary Ed.)

Формат записи/Источник записи: [SACD-R][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1967/2017
Жанр: Rock, Psychedelic Rock
Издатель (лейбл): ABKCO
Продолжительность: 00:44:09 + 00:44:20
: Да (сканы)

Треклист:
CD 1 - Stereo
1. Sing This All Together 03:47

2. Citadel 02:51

3. In Another Land 03:15

4. 2000 Man 03:08

5. Sing This All Together (See What Happens) 08:34

6. She’s A Rainbow 04:35

7. The Lantern 04:24

8. Gomper 05:09

9. 2000 Light Years From Home 04:45

10. On With The Show 03:43
CD 2 - Mono
1. Sing This All Together 03:47

2. Citadel 02:51

3. In Another Land 03:13

4. 2000 Man 03:08

5. Sing This All Together (See What Happens) 08:39

6. She’s A Rainbow 04:36

7. The Lantern 04:26

8. Gomper 05:10

9. 2000 Light Years From Home 04:45

10. On With The Show 03:45

Контейнер: ISO (*.iso)
Тип рипа: image
Разрядность: 64(2,8 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0 (STEREO & MONO)
Доп. информация: Released 8 December 1967
Recorded 9 February - 23 October 1967
Studio Olympic Studios-Studio A, London
Producer The Rolling Stones
Vocals [Singing] - Keith Richards (tracks: 1-1, 1-2, 1-4 to 2-2, 2-4 to 2-10), Mick Jagger (tracks: 1-1, 1-2, 1-4 to 2-2, 2-4 to 2-10)
Vocals, Written-By - Bill Wyman (tracks: 1-2, 2-3)
Written-By - Mick Jagger / Keith Richards
ABKCO UIGY-9707/8. Mastered by Bob Ludwig
The ISO image is created using sacd-ripper for PS3 version 0.21.
: pssacd (PS³SACD)
//wwwjapan.co.jp/product/UIGY-9707
.co.uk/Satanic-Majesties-Japanese-Original-Anniversary/dp/B074F7J44S

Об альбоме (сборнике)
Their Satanic Majesties Request is the sixth British and eighth American studio album by the Rolling Stones, released in December 1967 by Decca Records in the United Kingdom and London Records in the United States. Recording sessions saw the band experimenting widely with a psychedelic sound in the studio, incorporating elements such as unconventional instruments, sound effects, string arrangements, and African rhythms. The album’s title is a play on the “Her Britannic Majesty requests and requires …” text that appears inside a British passport. It is the first Stones album to feature the same track listings in both its UK and US versions.
Upon its release, Satanic Majesties received mixed reactions from critics and members of the group itself. The album was criticised as being derivative of the contemporaneous work of the Beatles, particularly their June 1967 release Sgt. Pepper’s Lonely Hearts Club Band, with the similarities extending to the LP’s lenticular cover. In subsequent decades, however, it has gradually risen in critical reputation. Following the album’s release, the Rolling Stones abandoned their psychedelic style for a stripped-down return to their roots in blues music.
All Music ReviewWithout a doubt, no Rolling Stones album - and, indeed, very few rock albums from any era - split critical opinion as much as the Rolling Stones’ psychedelic outing. Many dismiss the record as sub-Sgt. Pepper posturing; others confess, if only in private, to a fascination with the album’s inventive arrangements, which incorporated some African rhythms, Mellotrons, and full orchestration. What’s clear is that never before or after did the Stones take so many chances in the studio. (Some critics and fans feel that the record has been unfairly undervalued, partly because purists expect the Stones to constantly champion a blues ‘n’ raunch worldview.) About half the material is very strong, particularly the glorious “She’s a Rainbow,” with its beautiful harmonies, piano, and strings; the riff-driven “Citadel”; the hazy, dreamlike “In Another Land,” Bill Wyman’s debut writing (and singing) credit on a Stones release; and the majestically dark and doomy cosmic rocker “2000 Light Years from Home,” with some of the creepiest synthesizer effects (devised by Brian Jones) ever to grace a rock record. The downfall of the album was caused by some weak songwriting on the lesser tracks, particularly the interminable psychedelic jam “Sing This All Together (See What Happens).” It’s a much better record than most people give it credit for being, though, with a strong current of creeping uneasiness that undercuts the gaudy psychedelic flourishes. In 1968, the Stones would go back to the basics, and never wander down these paths again, making this all the more of a fascinating anomaly in the group’s discography.