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Mariya Takeuchi - Turntable 2019 - (MP3 + FLAC)

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Mariya Takeuchi - Turntable 2019 - (MP3 + FLAC)
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(!) Mariya Takeuchi - Turntable

Жанр: JPop
Носитель: CD
Страна-производитель диска (релиза): Япония
Год издания: 2019
Издатель (лейбл): Moon Records
Номер по каталогу: WPCL-13077/79
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Продолжительность: 03:36:52
Источник: yozakura
: нет

CD1 - More Expressions {01:11:48}

01. Suteki na Hit Song (03:51)

02. On the University Street (2:28)

03. Matte Iru Wa (3:38)

04. Futari no Vacance (4:14)

05. Sweetest Music (3:11)

06. Natalie (3:52)

07. Amphitheater no Yoru (3:36)

08. Oh No, Oh Yes! (5:14)

09. Toki no Tabibito (4:26)

10. Yume no Tsuzuki (5:19)

11. After Years (3:32)

12. Ashita no Watashi (4:52)

13. Shiawase no Sagashikata (3:51)

14. Nostalgia (4:48)

15. Synchronicity (Suteki na Guuzen) (5:14)

16. Shizukana Densetsu (5:00)

17. Inochi no Uta (4:42)

CD2 - Mariya's Rarities {01:11:42}

01. Modotte Oide Watashi no Jikan (2011 Ver.) (3:39)

02. Kanashiki Heart (2:48)

03. Kanashiki Ashioto (On the Street Ver.) (2:32)

04. Kimi no Tameni (3:40)

05. Hey! Baby (3:48)

06. Yakei (4:05)

07. Yakusoku (3:55)

08. Miracle Love (4:15)

09. Mafuyu no Date (3:41)

10. Triangle (3:22)

11. First Date (2:54)

12. Koi, Hajimemashite (3:36)

13. Akogare (2:57)

14. Natsu no Intro (4:20)

15. Apple Papple Princess (2008 Ver.) (2:27)

16. Maji de Koisuru Gobyo Mae (4:23)

17. Koe Dake Kikasete (4:28)

18. Shampoo (3:58)

19. You & Night & Whisky (Whisky ga, o Suki Desho) (English Ver.) (4:10)

20. Where the Boys Are (Boy Hunt) (English Ver.) (2:44)

CD3 - Premium Covers {01:13:22}

01. Baby Mine (English Ver.) (3:24)

02. No Reply (2:19)

03. Tell Me Why (2:09)

04. Devil in Her Heart (2:29)

05. If I Fell (2:21)

06. I'm Happy Just to Dance with You (1:58)

07. Drive My Car (2:31)

08. Nowhere Man (2:45)

09. The Night Before (2:35)

10. You're Going to Lose That Girl (2:20)

11. One After 909 (2:50)

12. Your Mother Should Know (2:29)

13. This Boy (2:30)

14. Fly Me to the Moon (2:48)

15. Scotch and Soda (3:39)

16. Cry Me a River (3:32)

17. (I Love You) For Sentimental Reasons (3:05)

18. Out of the Blue (3:21)

19. Don't It Make My Brown Eyes Blue (Hitomi no Sasayaki) (3:34)

20. Tequila Sunrise (2:55)

21. Southbound Train (3:56)

22. Musician (It's Not an Easy Life) (5:14)

23. Comment te dire adieu (Sayonara wo Oshiete) (2:27)

24. Che vuole questa musica stasera (Glass no Heya) (3:39)

25. For Your Love (2:32)

Об альбоме (сборнике)
Takeuchi Mariya is one of Japan’s well-known music artist/songwriter and the wife of another well-known music artist/writer/producer, Yamashita Tatsuro.
Takeuchi studied abroad at Rock Falls Township High School in Illinois on an exchange study abroad program. After attending high school, Takeuchi studied English at Keio University and was part of the music circle “Real McCoys” and in 1978, she would participate in an album titled “Loft Sessions” released by Victor which would lead to her first music contract with RCA/RVC.
Fastforward to 2019, and the popular singer/songwriter/producer is now back with a 3-disc album titled “Turntable” to celebrate her 40th anniversary.
But how to celebrate a 40th anniversary when she has released wonderful collections in the past especially her 30th anniversary album “EXPRESSIONS” back in 2008, which is no doubt the ultimate Takeuchi Mariya album. But for her 40th anniversary, how not to duplicate the same material but yet feature quality music?
I was quite interested in seeing what Takeuchi and Yamashita Tatsuro had planned with “Turntable” because it’s hard to do anything else when so much of Takeuchi Mariya’s well-known hits are on “EXPRESSIONS”. But with 40-years of music and a lot of interest in Takeuchi Mariya’s music, there is so much music of Mariya’s for people to discover.
The first pressing of “Turntable” features slipcase which comes with the three-disc album and two lyric booklets, a special 28-page booklet featuring the discography history of Takeuchi Mariya with manga illustrations by mangaka, Yamazaki Mari. First pressing came with a Deka Jacket from Japan.
For “Turntable”, you get three different types of albums. Disc 1 (More Expressions) can be considered an extension to 2008’s “Expressions” as it contains Takeuchi Mariya classics not featured in that best album and features 17 tracks from the past.
So, you are going to see songs such as her 1978 song “Suteki na Hit Song” from her first album “BEGINNING” and her second single “Dream of You ~Lemon Lime no Aoi Kaze~”, “Matte iru wa” is from her 1980 album “LOVE SONGS”,
Her 1979 song “On the University Street” is from her second album “UNIVERSITY STREET”, “Futari no Vacance” is from her 1980 album “Miss M” and this was recorded in Japan, while “SWEETEST MUSIC” is her sixth single from 1980 and featured on her 1980 album “Miss M” and was recorded in Los Angeles.
“SWEETEST MUSIC” was a song made entirely in English and featured music by Peter Allen (known for the theme song from the film “Arthur” and Olivia Newton John’s “I Honestly Love You”), lyrics by David Lasley and rhythm arrangement by David Foster.
From her fifth studio album “PORTRAIT” and her 9th single is her next English song “NATALIE” which was written by Takeuchi, the next track is “Amphitheater no Yoru”, the opening track from her 1984 album “VARIETY” and you have songs such as “OH NO, OH YES”, “Toki no Tabibito” (an English song), “Yume no Tsuzuki” from her 1987 album “REQUEST”.
Also, included are her 16th single “AFTER YEARS” from 1987, her 1994 TBC CM song “Ashita no Watashi” from her second best album “Impressions”, her 22nd single “Shiawase no Sagashikata” from 1993, “Nostalgia” from her ninth album “Bon Appetit!” from 2001, her 32nd single “Synchronicity (Suteki na Guuzen)” from 2006 and on her 2007 album “Denim”, her 42nd single “Shizukana Densetsu” from 2014 and her song “Inochi no Uta” which are both from her 2014 album “TRAD”.
While Disc 2 follows husband, Yamashita Tatsuro’s footsteps of rarities titled “Mariya’s Rarities” which feature songs that were coupling songs, “Miracle Love” from AbemaTV drama “1 Page no Koi”, songs performed on NHK’s “Takeuchi Mariya Music & Life ~40-nen o Meguri Tabi~” and rare sound sources. A total of 20 songs are featured.
We have her 2011 version of her 1978 debut single “Modotte oide watashi no jikan”, Takeuchi’s cover of Hirota Mieko’s 1963 hit song “Kanashiki Heart”, a cover of Sano Osamu and Parakin’s 1961 hit “Kanashiki Ashioto (On the Street ver.), a cover of Kayama Yuzou’s 1967 hit “Kimi no Tameni”, “Hey! Baby”, which was the coupling song for her 18th single “Single Again” from 1989 and “Yakei” is the coupling song for her single “Koi no Arashi” from 1986 and both are featured on her album “Denim”.
Included is Takeuchi Mariya’s cover of Nakamori Akina’s 1987 song and is featured as the coupling song for Takeuchi’s 24th single from 1994, “Junai Rhapsody”. “Miracle Love” is a song which Takeuchi written for Makise Riho (her debut single in 1991) and was used as the coupling song for her 1992 single “Manhattan Kiss”. The song was used this year for the drama “1-Page no Koi”.
“Mafuyu no deito” (Midwinter date) was her coupling song for her 25th single “Konya wa Hearty Party” and was a song that was written by Takeuchi for Morishita Eri back in 1985, “Triangle” is her self-cover from 1994 (used as the coupling song for her 23rd single “Atashi no Watashi”) which she originally wrote for Yakushimaru Hiroko back in 1984).
Also featured is Takeuchi Mariya’s self-cover of the song she wrote for Okada Yukiko, “First Date” which was originally released in 1984 by Okada, as well as the songs “Koi, Hajimemashite”, “Akogare” (from 1984) and the self-cover was performed by Takeuchi on NHK’s “Takeuchi Mariya Music & Life ~40-nen o Meguri Tabi~” earlier this year, a self-cover of “Natsu no Intro” which Takeuchi wrote for Fukunaga Eri (1987), who was the leader and former member of Onyanko Club.
“Apple Papple Princess” was a double-A single with “NATALIE” and is a 2008 version of her ninth single, “Maji de Koisuru Gobyo Mae” was written by Takeuchi and became actress Hirosue Ryoko’s debut single song from 1997 which was a tremendous hit and the self
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