Andy Timmons - 30 Electric Expressions You MUST Know

30 Electric Expressions

Автор: Andy Timmons
Инструментальная принадлежность: Гитара (стандартная нотация + табулатура)
Жанр: Рок / Блюз-рок / Самоучитель
Год выпуска: 2018
Серия: Licks You Must Know
Язык: Английский
Формат: PDF
Качество: Изначально компьютерное (eBook)
Количество страниц: 30
Источник сканов: E-net
Аудиокодек: mp3
Битрейт аудио: 192 kbps
Формат видео: mp4
Битрейт видео: AVC, 960x540 (16:9), 29.970 fps, ~763 kb/s avg, 0.051 bit/pixel Аудио: AAC, 127 kbps, 48000Hz, 2 ch
Описание: Мелодичные и экспрессивные подходы к рок гитарной импровизации от Andy Timmons.
[Licks * Bending * Chromatic Scale * Diminished * Fills * Harmonics * Picking * Phrasing * Pentatonic * Pull-Offs * Riffs * Right-Hand Techniques * Left-Hand Techniques * Techniques * Applied Theory]

Содержание:
Horizontal Pentatonic Slide: Lick 1
”For the first lick, this is an A major horizontal slide. This is something that I use all the time, and works great over the progression from my song 'Resolution', going from A major to D major.”
Descending Horizontal Triplets: Lick 2
”Lick 2 is a descending pentatonic pattern that will work over the A major chord and D major chord. I really love the sound of the pentatonic over the the I and IV chord.”
Positional Triplet Line: Lick 3
”Here's another A major pentatonic that will work over our chord progression. This time I'll be staying in position (I do stay in position sometimes!) and has a lovely triplet-falling-over-the-bar type of vibe.”
Aggressive Ascent: Lick 4
”Lick 4 is over a track called 'Move On' from the Resolution record that the Andy Timmons Band put out. It's a pretty aggressive ascending pentatonic lick.”
Hendrixy Wail: Lick 5
”This lick is also over the 'Move On' A minor to F chord progression. We'll be playing a very bluesy, crying, Hendrixian lick this time.”
Sixteenth Note Triad Outlines: Lick 6
”Lick 6 is also over the 'Move On' progression, which is A minor to F. This is a line made up of 16th notes where I'm superimposing A minor, G and F over the A.”
Introductory Ascent: Lick 7
”Lick 7 is over a chord progression from 'Beware Dark Days', another Resolution track. This is essentially an introductory pentatonic lick - something that I do all the time.”
Melodic Artificial Slap: Lick 8
”For this lick we'll be in the key of C# minor, playing over our progression for 'Beware Dark Days' again. This time we're dealing with artificial slap harmonics.”
Chromatic Blues Reps: Lick 9
”Lick 9 is a repetitive blues chromatic lick, also over our 'Beware Dark Days' progression. We're in C# minor, but this one sounds great played over any blues or minor chord.”
Sliding Shifty Fifths: Lick 10
”Here's one more over the 'Beware Dark Days' progression, in C# minor again. These are melodic shifting fifths, which are a nice way to voice lead the melody.”
Repetitive Fives: Lick 11
”The progression for Lick 11 is taken from 'Deliver Us' from Resolution by the Andy Timmons Band. It's essentially goes G minor, Bb major, to D minor, and then F major. We're centered around a group of repetitive fives here.”
Widdly Diddlies: Lick 12
”Lick 12 is made up of some repetitive pull-offs, also over the chord progression from 'Deliver Us'. Let's dig in.”
Slippery Gypsy Lick: Lick 13
”This lick is a 'slippy-slidy-Gypsy-lick', as it's taken from the main lick in 'Electric Gypsy'. I've seen a lot of people play this tune, and this is the one lick that trips people up (including me).”
Open Harmonic Melody: Lick 14
”Lick 14 is an open harmonic melody over the chord changes for 'Electric Gypsy': D major, A major, B minor, to G major. Let's take a look at how to do it.”
Hammer & Pull Arps: Lick 15
”This lick is over a track called 'Beautiful Strange', using hammer-ons, pull-offs and arpeggios. It's basically centered around the chord of C7, but we're starting on the Ab major, then going to F minor, and then C7.”
Speed Picking Arpeggio: Lick 16
”Lick 16 is a speed picking arpeggio lick, also over the track for 'Beautiful Strange'. We'll come in with a little bit of melody over the Ab major and F minor, and then we'll get into the speed picking over the C7.”
Descending Flat Nine Line: Lick 17
”This is essentially a descending C7 with a b9 arpeggio. Again, we're using the 'Beautiful Strange' progression, which goes Ab major, F minor, to C7.”
Pitchwheel Hammer: Lick 18
”Lick 18 is what we'll call the 'pitchwheel Hammer' lick, as it's something that Jan Hammer would do. It's over the 'Beautiful Strange' progression once again. Let's dig in!”
Chromatic Riffage: Lick 19
”Our last lick dealing with 'Beautiful Strange' is a chromatic riff over our progression.”
Groove or Die Arp: Lick 20
”This is the basic arpeggios taken from the tune 'Groove or Die'. We're playing an E minor arpeggio with a little bit of melody and then a D major arpeggio and some more melody.”
Sixteenth Note Chordal Runs: Lick 21
”Lick 21 takes us back to EAR X-TACY 2, using the progression for a song called 'Last One'. This is basically a 16th note chordal run.”
Gone with the Lick: Lick 22
”We've deemed this one 'Gone with the Lick', it's a ascending pentatonic sliding lick that I love to play. It's all over the G minor to Eb7 in the solo section of the song “Gone'.”
Stair Step: Lick 23
”Lick 23 is over the 'Gone' chord progression again. This is what I call a 'stair step' lick. I think you'll understand why!”
Descending Bending: Lick 24
”Lick 24 is over the 'Gone' changes again. This is a descending bending lick, and a really cool exercise for playing some scalar bends.”
Ascending Bending: Lick 25
”For this one we're still playing over the song 'Gone'. We'll be playing contrapuntally to our descending bends in the previous lick, now ascending while bending and sliding with each note to give them a great sound.”
Funky Chromatica: Lick 26
”Lick 26 is over a static, funky groove in D minor, utilizing some chromatic outlining of triads.”
Charlie's Chromatic Line: Lick 27
”Lick 27 involves some more chromaticism. This stems from a Charlie Parker lick I heard years ago, and here I'm adding onto it. We're again staying static over D minor.”
The Puppet Show Lick: Lick 28
”This is another one over our D minor groove that we're calling the 'puppet show' chromatic lick, taken from my old Danger Danger years. Let's take a look.”
Homage to Mike: Lick 29
”Lick 29 features some Mike Stern-esque chromaticism over the same D minor groove.”
Descending Chromatic Loveliness: Lick 30
”Our final lick is called 'Descending Chromatic Loveliness', and features it's namesake! It's over an A minor, to G major, to F major funky progression.”