Школа джазовой импровизации Джеми Эйберсолд (продолжение) / The Jamey Aebersold Play-A-Longs - тома с 11 по 70-й

The Jamey Aebersold Play-A-Longs / Школа джазовой импровизации с 11 по 70-й том. (продолжение)

Год выпуска: 2006
Страна: USA
Автор: Jamey Aebersold / Джеми Эйберсолд
Инструментальная принадлежность: все инструменты
Жанр: Аудио-школа
Продолжительность: 13 часов (для всех томов)
Язык: английский
Фoрмат: PDF
Качество: отсканированные страницы
Аудиокодек: mp3
Описание:
Это продолжение первых томов, которые выкладывались здесь:
//viewtopic.php?t=665097
Последующие тома с 71 по 106 здесь:
//viewtopic.php?t=679123
Видео-школа Jamey Aebersold - Anyone Can Improvise / Импровизировать может каждый выложена здесь:
//viewtopic.php?t=902141
Одна из самых полных и качественных школ по импровизации в джазе. Автор круто разбирается не только в своей теме - джазовой музыке. Он еще и предлагает первоклассную методику. Музыкант, владеющий любым инструментом сможет по-настоящему начать импровизировать менее, чем через час после начала занятия по первому тому. При этом автор предлагает не халтурный экспересс-метод (а-ля блюзовая гамма), а настоящий ладовый подход с обыгрыванием ступеней аккордов, пониманием гармонии и т.д.
Здесь выкладываются тома с 11 по 70-й. Оставшиеся с 71 по 106 выложу в следующей . Надеюсь так будет проще поддерживать эти ы в живом состоянии.
Краткое описание с офф. а:
The Jamey Aebersold Jazz ® Play-A-Longs have revolutionized the way musicians of all levels practice jazz! Often said, 'The Most Widely Used Improvisation Method On The Market!'
Сам офф. :
//aebersold/Merchant2/merchant.mvc?Screen=CTGY&Store_Code=JAZZ&Category_Code=AEBPLA
Качество: CD-Rip
Формат: mp3
Качество: 160 VBR
Описание каждого тома с 1-го по 106-й под спойлером.

Описание
(Vol. 1) Jazz: How To Play and Improvise - Blues In Bb And F, Dorian Minor Tracks, Four-Measure Cadences, Cycle Of Dominants, 24-Measure Song, II/V7 In All Keys - Rhythm Section is Jamey Aebersold, Piano; Rufus Reid, Bass; Jonathan Higgins, Drums
(Vol. 2) Nothin' But Blues - Mr. Super Hip, Horizontal (C Blues), 6/8 Modal Blues, Slow Blues In G, Slow Blues In F, Fast Blues In F, Fast Blues In Bb, Minor Blues In C, Bird Blues, Home Stretch, Long-Meter Jazz/Rock - Rhythm section is Dan Haerle, Piano; Mike Hyman, Drums; and Rufus Reid, Bass
(Vol. 3) The II/V7/I Progression - II/V7/I All Major Keys, G Minor Blues, Bebop Tune, V7+9/I All Keys, II/V7/I ln Three Keys, F Blues With An 8-Bar Bridge, Il/V7 Random Progressions, ÿ/V7+9/I All Minor Keys - Rhythm section is Dan Haerle, Piano; Rufus Reid, Bass; Charlie Craig, Drums
(Vol. 4) Movin' On - Magic Morning, Ballad Waltz, Five 8-Bar Phrases, Quickie, Agitation, Scooter, 7/4-3/4, Once Remembered, All Things Unfinished - Rhythm section is Dan Haerle, Piano; Rufus Reid, Bass; Charlie Craig, Drums
(Vol. 5) Time To Play Music - Groovitis, Beatitude, Modal Voyage, Bebopish, Killer Pete, Freddieish, Snap Crackle & Pop, Essence - Dan Haerle, Piano; Rufus Reid, Bass; Jonathan Higgins, Drums
(Vol. 6) Charlie Parker 'All Bird' - Now’s The Time, Donna Lee, Billie’s Bounce, Dewey Square, Yardbird Suite, Ornithology, Confirmation, Scrapple From The Apple, Thriving From A Riff, My Little Suede Shoes - Rhythm section is Kenny Barron, Piano; Ron Carter, Bass; and Ben Riley, Drums
(Vol. 7) Miles Davis - Four, Solar, Tune Up, Dig, Vierd Blues, Milestones (Old), The Theme, Serpent’s Tooth - Rhythm section is Dan Haerle, Piano; Rufus Reid, Bass; Jonathan Higgins, Drums -
(Vol. 8) Sonny Rollins - Doxy, Oleo, St. Thomas, Pent Up House, Blue Seven, Airegin, Valse Hot, Tenor Madness, Solid - Rhythm section is Dan Haerle, Piano; Rufus Reid, Bass; Jonathan Higgins, Drums
(Vol. 9) Woody Shaw - Blues For Wood, Moontrane, Little Red’s Fantasy, Katrina Ballerina, Tomorrow’s Destiny, In Case You Haven’t Heard, Beyond All Limits (Bossa), Beyond All Limits (Swing) - Rhythm section is Ronnie Mathews, Piano; Stafford James, Bass; Louis Hayes, Drums; and James Williams, Piano; Jamey Aebersold, Bass; Mike Hyman, Drums
(Vol. 10) David Baker - Aulil, Black Thursday, LeRoi, Bossa Belle, Kentucky Oysters, Soleil d’ Altamira, Passion, Le Miroir Noir - Rhythm section is Dan Haerle, Piano; Rufus Reid, Bass; Jonathan Higgins or Charlie Craig, Drums
(Vol. 11) Herbie Hancock - Cantaloupe Island, Watermelon Man, Maiden Voyage, Dolphin Dance, And What If I Don’t, Jessica, Toys, Eye of The Hurricane - Rhythm section is Kenny Barron, Piano; Ron Carter, Bass; Billy Hart, on Drums
(Vol. 12) Duke Ellington - Satin Doll, Perdido, Take The “A” Train, Solitude, Mood Indigo, Sophisticated Lady, Prelude To A Kiss, In A Sentimental Mood, I Let A Song Go Out Of My Heart - Rhythm section is Kenny Barron, Piano; Ron Carter, Bass; Ben Riley, Drums -
(Vol. 13) Cannonball Adderley - Work Song, Unit 7, Del Sasser, Superstition Blues, Scotch And Water, Jeannine, Saudade, SackOof Woe - Ronnie Mathews, Piano; Sam Jones, Bass; and Louis Hayes on Drums have all played with Cannonball’s quintet
(Vol. 14) Benny Golson - Killer Joe, Whisper Not, Ease Away Walk, Blues March, Along Came Betty, I Remember Clifford, Are You Real, Stablemates - Rhythm section is Patrice Rushen, Piano; Bob Magnuson, Bass; Ron McCurdy, Drums
(Vol. 15) Payin' Dues - Another Yew, It’s You, Stella, You’re The Song, Flesh & Spirit, April, What Is This?, Share-A-Key - The rhythm section of Kenny Barron, Ron Carter, and Grady Tate really lights a fire!
(Vol. 16) Turnarounds, Cycles & II/V7's - 5 Turnaround Tracks, 6 II/V7 Tracks, 6 Cycle Tracks, Coltrane Changes In All 12 Keys, Coltrane Blues, Guess What Key I’m In, Bb Rhythm Changes, Some Of The Things I Am… and more! - Rhythm section is Jamey Aebersold, Piano; John Clayton, Bass; Mike Hyman, Drums; and others
(Vol. 17) Horace Silver - Song For My Father, Sister Sadie, Silver’s Serenade, Gregory Is Here, The Preacher, Peace, The Jody Grind, Nutville - The rhythm section is Kenny Barron, Ron Carter and Al Foster and they are takin’ care of business!
(Vol. 18) Horace Silver - Strollin’, Ecaroh, Mayreh, Room 608, Barbara, Nica’s Dream, Quicksilver, Summer In Central Park - The rhythm section on this set is the same as Volume 17. Recorded the same day as Volume 17
(Vol. 19) David Liebman - Picadilly Lilly, Brite Piece, Slumber, Bonnie’s Blue, Oasis, Loft Dance, Lookout Farm, Tomorrow’s Expectations - Rhythm section is Richie Bierach, Piano; Frank Tusa, Bass; and Al Foster, Drums -
(Vol. 20) Jimmy Raney - ‘Bout You And Me, Nowhere, Autumn, Rhythm In Bb, Hotel Grande’, Like Somebody, Bb Blues For Wes, Confirmed, Friends, Groove Blues In F - Rhythm section is Jimmy Raney, Guitar; Steve Rodby, Bass; Mike Hyman, Drums -
(Vol. 21) Gettin' It Together - This set will quickly change the practice habits of many musicians . . . instrumentalists as well as vocalists. It covers (all twelve keys) Major, Minor (Dorian, Harmonic And Melodic), Dominant 7th, Half-Diminished, Lydian, Sus. 4. It also has a very slow blues in F and one in Bb. A total of 31 different tracks with a lot of variety
(Vol. 22) 13 Favorite Standards - Stella By Starlight, My Old Flame, My Ideal, Lover, Easy Living, Out Of Nowhere, The Nearness Of You, Tangerine, Wives ~ Lovers, Soon, I Remember You, If I Should Lose You, It Could Happen To You - Rhythm section is Dan Haerle, Piano; Todd Coolman, Bass; Ed Soph, Drums
(Vol. 23) One Dozen Standards - Angel Eyes, But Beautiful, Imagination, Personality, Like Someone In Love, Polka Dots And Moonbeams, Everything Happens To Me, Violets For Your Furs, Here’s That Rainy Day, Will You Still Be Mine, I Should Care, You Say You Care - Rhythm section is Michael Weiss, Piano; John Goldsby, Bass; Jonathan Higgins, Drums
(Vol. 24) Major and Minor - Recordings contain 30 extended tracks of recorded background. Great primer for learning basic skills in Major and Minor keys - Jamey Aebersold, Piano; John Goldsby, Bass; and Charlie Craig, Drums
(Vol. 25) All-Time Standards - Summertime, Speak Low, I Love You, September Song, Old Devil Moon, I Can’t Get Started, The Party’s Over, A Foggy Day, My Funny Valentine, Foolish Heart, My Favorite Things, Come Rain Or Come Shine, Our Love Is Here To Stay, I’ve Grown Accustomed To Her Face, It Mi