Real-World Techniques for Multipass Compositing in After Effects

Real-World Techniques for Multipass Compositing in After Effects

Год выпуска: 11/2015
Производитель: Digital Tutors
производителя: digitaltutors/tutorial/2330-Real-World-Techniques-for-Multipass-Compositing-in-After-Effects
Автор: Renzo Reyes
Продолжительность: 7:13
Тип раздаваемого материала: Видеоклипы
Язык: Английский
Описание: In this After Effects tutorial, we’re going to composite an animated end tag for a fictitious product.
We'll get an exclusive look at the creative process and reasoning behind compositing using render elements from V-Ray in Maya and the physical renderer in CINEMA 4D. We'll learn how to get the most out of them in an After Effects linear space compositing pipeline using proven advanced techniques from professional, real world scenarios.
By the end of this After Effects training, you’ll have a range of new tips and tricks to be able to use in your own projects.
В этом учебнике после эффектами, мы собираемся композитных анимированные закрывающий тег для вымышленного продукта.
Мы получим эксклюзивный взгляд на творческий процесс и обоснование композитинга, используя элементы рендеринга с V-Ray в Maya и физический рендер в синема 4Д. Мы узнаете, как получить максимальную отдачу от них в После эффектов линейного пространства компоновки трубопровода с помощью проверенных передовых методик от профессиональных, реальных сценариев.
К концу этого эффекты после тренинга, вы будете иметь целый ряд новых советов и рекомендаций, которые сможет использовать в собственных проектах.

Содержание

1 Introduction and project overview

2 Let's get linearized

3 Recommended file formats for compositing

4 Project organization, goals and breakdown

5 Basic additive technique for compositing render elements

6 Advanced additive technique for compositing render elements

7 Using light selects to composite render elements

8 Subtractive techniques for compositing render elements

9 Setting up lighting controls for our composite

10 Balancing our robot composite

11 Improving details on our robot composite

12 Finalizing the first pass for our robot composite

13 Getting started with our Cinema 4D composite

14 Controlling our diffuse/lighting pass

15 Adding color to our specular and shadow pass

16 Refining our GI pass for our environment

17 Tweaking the ambient and reflection passes

18 Adding an underwater look using our refraction pass.

19 What are UV passes and how can we use them?

20 Using Uvs to create custom displacement maps

21 Adding bubbles and liquid using UV maps

22 Exploring techniques for compositing AO and Shadow passes.

23 Using RGB channels to color match elements

24 Making sure we have a balanced composite

25 Animating our lighting controls

26 Creating a balanced comp for the back of the robot

27 Finishing up the lighting on our robot comp

28 Let's talk about light wraps

29 Overall color grades and vignettes

30 Adding atmospheric particles to our scene.

31 Creating and compositing an RGB volume light

32 Addressing client notes in comp to save time

33 Faking liquid using UVs and fractal noise.

34 Advanced tips for using UVs

35 Let's talk about relighting!

36 Adding contrast and contact lighting

37 Fake reflections and cheap rim lights

38 A new way to look at glows in After Effects

39 Compositing contact lighting for our laser gun flashes

40 A look at Position passes inside After Effects

41 Using Position passes to create UVs

42 Extracting position data from our world position pass

43 Adding destruction elements

44 Depth of field in After Effects using C4D renders

45 Applying depth of field to our robot using Maya/Vray renders.

46 Adding motion blur to our comps

47 Finishing our composite and project

Файлы примеров: присутствуют
Формат видео: MP4
Видео: AVC, 1280x720, 16:9, 15fps, 904kbps
Аудио: AAC, 44.1kHz, 75.3kbps, stereo